A breezy and inviting biography from a self-described “zealot.”




A compact and incisive portrait of the great dancer and choreographer.

In 2015, after Lesser (You Say to Brick: The Life of Louis Kahn, 2017, etc.) saw one of Robbins’ (1918-1998) final works, The Goldberg Variations, she sat “in a state of stunned amazement.” She welcomed the offer to write a biography for the publisher’s Jewish Lives series because she sees him as a “genius worth championing.” The author begins with Robbins as perhaps “the most hated man on Broadway.” Actors and dancers famously feared his “vicious outbursts” and “cruel perfectionism.” Others loved him deeply. He was always “high-strung and tormented,” according to one of his rehearsal pianists, and conflicted about his skills, homosexuality, and Jewish roots. Born Jerome Wilson Rabinowitz—he changed his name at the urging of a ballet teacher—to a “rarely affectionate” father and “forceful” mother, he possessed perfect pitch and an excellent sense of rhythm. He could “move naturally and expressively.” A stint at Camp Tamiment in the Catskills confirmed his first love, choreography. Throughout, Lesser focuses on Robbins as a “narrative artist,” perhaps one of the century’s “most powerful exemplars.” George Balanchine cast him in a musical in 1938, and Robbins soon began working with Leonard Bernstein. In 1951, he joined up with Richard Rogers and Oscar Hammerstein II on The King and I and developed a new style of dance, a “fusion between Eastern and Western modes.” A low point in his career came in 1953, when he named names for the House Un-American Activities Committee, something he later deeply regretted. The hits kept coming: Peter Pan, an “amazing achievement,” Gypsy, Fiddler on the Roof, and, with now close friend Bernstein, West Side Story, where he worked with a young Stephen Sondheim, who called Robbins the “only genius I’ve ever met.” As Lesser concludes, his “influence lives on even where his name may not.”

A breezy and inviting biography from a self-described “zealot.”

Pub Date: Oct. 9, 2018

ISBN: 978-0-300-19759-4

Page Count: 216

Publisher: Yale Univ.

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.


The debut memoir from the pop and fashion star.

Early on, Simpson describes the book she didn’t write: “a motivational manual telling you how to live your best life.” Though having committed to the lucrative deal years before, she “walked away,” fearing any sort of self-help advice she might give would be hypocritical. Outwardly, Simpson was at the peak of her success, with her fashion line generating “one billion dollars in annual sales.” However, anxiety was getting the better of her, and she admits she’d become a “feelings addict,” just needing “enough noise to distract me from the pain I’d been avoiding since childhood. The demons of traumatic abuse that refused to let me sleep at night—Tylenol PM at age twelve, red wine and Ambien as a grown, scared woman. Those same demons who perched on my shoulder, and when they saw a man as dark as them, leaned in to my ear to whisper, ‘Just give him your light. See if it saves him…’ ” On Halloween 2017, Simpson hit rock bottom, and, with the intervention of her devoted friends and husband, began to address her addictions and underlying fears. In this readable but overlong narrative, the author traces her childhood as a Baptist preacher’s daughter moving 18 times before she “hit fifth grade,” and follows her remarkable rise to fame as a singer. She reveals the psychological trauma resulting from years of sexual abuse by a family friend, experiences that drew her repeatedly into bad relationships with men, most publicly with ex-husband Nick Lachey. Admitting that she was attracted to the validating power of an audience, Simpson analyzes how her failings and triumphs have enabled her to take control of her life, even as she was hounded by the press and various music and movie executives about her weight. Simpson’s memoir contains plenty of personal and professional moments for fans to savor.

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-289996-5

Page Count: 416

Publisher: Dey Street/HarperCollins

Review Posted Online: Feb. 16, 2020

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