A true celebration of the endless creativity and resilience of children.

LUBNA AND PEBBLE

Lubna navigates the challenges of being a refugee: keeping happy—or rather, surviving—and passing the courage on.

She arrives with her dad as refugees to their temporary home, “a World of Tents,” with no visible toys and perhaps nothing at all. Lubna latches onto a pebble she finds on the beach after their crowded boat arrives at the shore. After this find, she “clutched Daddy’s hand and gripped her pebble. Somehow, she knew they’d keep her safe.” The larger-than-life, almost dreamy illustrations show readers what Lubna sees and feels, and the rawness of both text and images penetrates the heart. Lubna and Pebble become best friends, and she and her lovingly understanding father even create a nice home for it to face the cold winter, a shoebox with a tea towel. Then she meets another friend, Amir, a little boy who is alone. “This is my best friend, Pebble,” Lubna says. Amir smiles, and together they play under the stars, the illustrations taking on jewel tones that contrast their imaginary play with the drabness of the refugee camp. When Lubna hears the happy news about resettlement to a better place, she is first happy, then sad about leaving Amir behind. She makes a hard and selfless decision that night, to share her treasure with her young friend who needs to hang on. Lubna, her father, and Amir have olive skin and dark hair; their circumstances hint at Syrian origins, but no country is named.

A true celebration of the endless creativity and resilience of children. (Picture book. 5-12)

Pub Date: March 5, 2019

ISBN: 978-0-525-55416-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: Nov. 26, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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Heartening and hopeful, a love letter to black male youth grasping the desires within them, absorbing the worlds around...

THE SEASON OF STYX MALONE

Cooler-than-cool newcomer Styx Malone takes the more-sheltered brothers Caleb and Bobby Gene on a mischievous, path-altering, summer adventure of a lifetime as they embrace the extraordinary possibilities beyond the everyday in rural Indiana.

Readers may think an adventure such as they’ll find here wouldn’t be possible in the present day; this story takes place outside, where nature, know-how, creativity, and curiosity rule. Creeks, dirt roads, buried treasures, and more make up the landscape in Sutton, Indiana. Younger brother Caleb narrates, letting readers know from the outset that he’s tired of his dad’s racially tinged determination that they be safely ordinary: “I don’t want to be ordinary. I want to be…the other thing.” With Styx Malone around, Caleb and Bobby Gene will sure figure out what that “other thing” can become. The three black adolescents are enchanted with the miracle of the Great Escalator Trade, the mythic one-thing-leads-to-another bartering scheme that just might get them farther from Sutton than they’ve ever dreamed. As they get deeper and deeper into cahoots with Styx, they begin to notice that Styx harbors some secret ambitions of his own, further twisting this grand summer journey. “How do you move through the world knowing that you’re special, when no one else can see it?” begs the soul of this novel.

Heartening and hopeful, a love letter to black male youth grasping the desires within them, absorbing the worlds around them, striving to be more otherwise than ordinary. Please share. (Fiction. 8-12)

Pub Date: Oct. 16, 2018

ISBN: 978-1-5247-1595-3

Page Count: 304

Publisher: Wendy Lamb/Random

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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