Readers of this taut mystery don’t need dowsing rods to detect series potential.
Is it a gift or a curse that Julie Hall has the ability to divine the whereabouts of dead bodies?
Twenty-five-year-old Hall (real name: Delma Arensault) lives an ordinary life. She resides with her dog, Wookie, in a trailer down the ways from her beloved widowed grandfather. She’s employed at a gas station. She has a boyfriend, an unfulfilled artist who works at the local casino. But she has an extraordinary gift. Readers have heard the expression so-and-so “knows where all the bodies are buried.” That’s Hall: “The first time I picked up dowsing rods I knew I was different. Gramps said that if you had the knack, they’d help you find water. But I always found bodies.” That’s the crackerjack opening to Roberts’ (Drop Dead Beauty, 2013, etc.) compact paranormal mystery in which Hall is recruited by FBI agent Garrett Pierce to help locate three missing girls who are presumed dead. Hall’s gift is the only miraculous thing in her life. She is haunted by the childhood abuse she received at the hands of her grandmother, which brings on “quicksand thoughts” that mire her in “the dark place.” When a childhood friend betrays her and her supernatural secret goes public, she not only becomes a target of the press (“Can you confirm that your supernatural black magic is what helped the FBI?”), but also of the killer, who is still at large. Readers who pat themselves on the back for being able to anticipate twists may find themselves one-upped here. Roberts imbues Hall with a likable pluck and grit. She has a deft, witty touch. Hall refers to a reporter who asks her if she is “a good witch or a bad witch” as “a particularly stupid woman with a death wish.” The harsher profanity seems gratuitous, and some of Roberts’ pop-culture references belie Hall’s young years (Dirty Harry, Pee-Wee Herman). But there is genuine suspense as the danger hits close to home, and Hall and Pierce make for an arresting team.
Readers of this taut mystery don’t need dowsing rods to detect series potential.Pub Date: June 1, 2017
ISBN: N/A
Page Count: -
Publisher: Carina Press
Review Posted Online: April 4, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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