by Wendy Roberts ‧ RELEASE DATE: June 1, 2017
Readers of this taut mystery don’t need dowsing rods to detect series potential.
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Is it a gift or a curse that Julie Hall has the ability to divine the whereabouts of dead bodies?
Twenty-five-year-old Hall (real name: Delma Arensault) lives an ordinary life. She resides with her dog, Wookie, in a trailer down the ways from her beloved widowed grandfather. She’s employed at a gas station. She has a boyfriend, an unfulfilled artist who works at the local casino. But she has an extraordinary gift. Readers have heard the expression so-and-so “knows where all the bodies are buried.” That’s Hall: “The first time I picked up dowsing rods I knew I was different. Gramps said that if you had the knack, they’d help you find water. But I always found bodies.” That’s the crackerjack opening to Roberts’ (Drop Dead Beauty, 2013, etc.) compact paranormal mystery in which Hall is recruited by FBI agent Garrett Pierce to help locate three missing girls who are presumed dead. Hall’s gift is the only miraculous thing in her life. She is haunted by the childhood abuse she received at the hands of her grandmother, which brings on “quicksand thoughts” that mire her in “the dark place.” When a childhood friend betrays her and her supernatural secret goes public, she not only becomes a target of the press (“Can you confirm that your supernatural black magic is what helped the FBI?”), but also of the killer, who is still at large. Readers who pat themselves on the back for being able to anticipate twists may find themselves one-upped here. Roberts imbues Hall with a likable pluck and grit. She has a deft, witty touch. Hall refers to a reporter who asks her if she is “a good witch or a bad witch” as “a particularly stupid woman with a death wish.” The harsher profanity seems gratuitous, and some of Roberts’ pop-culture references belie Hall’s young years (Dirty Harry, Pee-Wee Herman). But there is genuine suspense as the danger hits close to home, and Hall and Pierce make for an arresting team.
Readers of this taut mystery don’t need dowsing rods to detect series potential.Pub Date: June 1, 2017
ISBN: N/A
Page Count: -
Publisher: Carina Press
Review Posted Online: April 4, 2017
Review Program: Kirkus Indie
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BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
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