by Wendy Wasserstein ‧ RELEASE DATE: May 15, 2001
For the Wasserstein fan who remembers reading something of hers somewhere sometime and wants to rediscover it—others will...
A scattered collection of 25 personal, mostly pithy magazine and newspaper pieces from the Pulitzer-winning playwright, with a couple of moving, deeply meditative entries for added heft.
When she’s not procrastinating on her latest Broadway play, Wasserstein (The Heidi Chronicles, etc.) supplements her income on assignment for the New York Times and New Woman, et al. She can be forgiven, then, the occasional tossed-off celebrity puff piece or 500-word exegesis on body weight (a favorite topic). Taken together, though, they make for a pick-and-choose perusal at best, rather than a satisfying, sit-down read. But this is Wasserstein, after all, the celebrated chronicler of haute, neurotic society, and any time spent with her promises not a few funny, conspiratorial glances at the silliness that surrounds us. There’s the very public discoveries of Jewish heritage among politicians, for starters, lending Hillary Clinton and Madeleine Albright some claim to chosen-people status and thus leading Wasserstein—“Shiksa Goddess”—out of her “Episcopalian” closet. And self-deprecating to the end, the author—a “walking magnet for fats, sugars, and useless carbos”—imagines a transformed world of fashion and advertising glamorized by the curvaceous and bodacious (“Waif Goodbye, Hello Bulge”): “By now everyone knows Byelorussia, the five-foot-four, 250-pound, blue-eyed cover girl whose signature style is flat shoes and elastic-waistband skirts.” Beyond the parody, there are some abrupt, though welcome, shifts into the earnest and emotional—most notably the last two pieces, in which the single Wasserstein plots a course for pregnancy, changes her mind, watches her sister die of cancer, and then (in last year’s heralded New Yorker piece “Days of Awe”) gives birth at 26 weeks to Lucy Jane. It’s a small piece of writing hidden at the end of too much frivolity that points to Wasserstein as one of the most effective personal essayists we have.
For the Wasserstein fan who remembers reading something of hers somewhere sometime and wants to rediscover it—others will wonder what all the fuss is about. Skip to the end.Pub Date: May 15, 2001
ISBN: 0-375-41165-8
Page Count: 256
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
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BOOK REVIEW
by Wendy Wasserstein & illustrated by Andrew Jackness
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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