Clear candid shots that suck you in.

READ REVIEW

’80

Charming short debut about a girl photog in Manhattan in 1980 and the scenes she covers.

In the late summer and fall of 1980, Mary Louise (ML) Weeks, 28, writes a diary, largely about her work and lack of work. The diary ends a week before New Year’s Eve—and soon thereafter ML disappears, to this day unfound. Twenty years after her disappearance, her estranged husband finds the diary in a mattress and a bigwig in Fine Arts publishes it just as she wrote it. It begins with ML having split from B, her English husband who wants a divorce she’ll not give. Readers who live in Manhattan will be delighted to come across familiar shops, such as Murray’s Cheese, and enjoy reliving the period atmosphere just as the Reagan years were about to begin. The possibilities of ML making money by her art are pretty much limited to editorial and commercial work, although she can’t find a place to “sell out” to (“there’s no point in giving these editors what they think they want, if what they think they want isn’t what I do”). ML envies the lady photogs of the Depression who didn’t sell out but climbed around on high girders and so on. She lands a stringer’s position with Murdoch’s Post and we follow her on various shoots—like when a punk band demolishes a Cadillac and drives it into the Hudson with dynamite blowing the roof off. As for the rest, ML attends a screening at the Whitney of Robert Frank’s movie about the sexual activities of the Rolling Stones; a rich woman hires her to follow her daughter about and take candids; John Bellushi offers Big Fun, and David Bowie does Broadway; she feels guilt when her best girlfriend attempts suicide; she’s attacked by skinheads; visits an S&M bar; and sees Mrs. John Lennon’s hired skywriter write “Love, Yoko” over Central Park. Then Lennon dies and darkness falls.

Clear candid shots that suck you in.

Pub Date: Sept. 1, 2004

ISBN: 0-7867-1398-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2004

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Charming, challenging, and so interesting you can hardly put it down.

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SUCH A FUN AGE

The relationship between a privileged white mom and her black babysitter is strained by race-related complications.

Blogger/role model/inspirational speaker Alix Chamberlain is none too happy about moving from Manhattan to Philadelphia for her husband Peter's job as a TV newscaster. With no friends or in-laws around to help out with her almost-3-year-old, Briar, and infant, Catherine, she’ll never get anywhere on the book she’s writing unless she hires a sitter. She strikes gold when she finds Emira Tucker. Twenty-five-year-old Emira’s family and friends expect her to get going on a career, but outside the fact that she’s about to get kicked off her parents’ health insurance, she’s happy with her part-time gigs—and Briar is her "favorite little human." Then one day a double-header of racist events topples the apple cart—Emira is stopped by a security guard who thinks she's kidnapped Briar, and when Peter's program shows a segment on the unusual ways teenagers ask their dates to the prom, he blurts out "Let's hope that last one asked her father first" about a black boy hoping to go with a white girl. Alix’s combination of awkwardness and obsession with regard to Emira spins out of control and then is complicated by the reappearance of someone from her past (coincidence alert), where lies yet another racist event. Reid’s debut sparkles with sharp observations and perfect details—food, décor, clothes, social media, etc.—and she’s a dialogue genius, effortlessly incorporating toddler-ese, witty boyfriend–speak, and African American Vernacular English. For about two-thirds of the book, her evenhandedness with her varied cast of characters is impressive, but there’s a point at which any possible empathy for Alix disappears. Not only is she shallow, entitled, unknowingly racist, and a bad mother, but she has not progressed one millimeter since high school, and even then she was worse than we thought. Maybe this was intentional, but it does make things—ha ha—very black and white.

Charming, challenging, and so interesting you can hardly put it down.

Pub Date: Jan. 7, 2020

ISBN: 978-0-525-54190-5

Page Count: 320

Publisher: Putnam

Review Posted Online: Oct. 14, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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Well-written and insightful but so heartbreaking that it raises the question of what a reader is looking for in fiction.

DEAR EDWARD

A 12-year-old boy is the sole survivor of a plane crash—a study in before and after.

Edward Adler is moving to California with his adored older brother, Jordan, and their parents: Mom is a scriptwriter for television, Dad is a mathematician who is home schooling his sons. They will get no further than Colorado, where the plane goes down. Napolitano’s (A Good Hard Look, 2011, etc.) novel twins the narrative of the flight from takeoff to impact with the story of Edward’s life over the next six years. Taken in by his mother’s sister and her husband, a childless couple in New Jersey, Edward’s misery is constant and almost impermeable. Unable to bear sleeping in the never-used nursery his aunt and uncle have hastily appointed to serve as his bedroom, he ends up bunking next door, where there's a kid his age, a girl named Shay. This friendship becomes the single strand connecting him to the world of the living. Meanwhile, in alternating chapters, we meet all the doomed airplane passengers, explore their backstories, and learn about their hopes and plans, every single one of which is minutes from obliteration. For some readers, Napolitano’s premise will be too dark to bear, underlining our terrible vulnerability to random events and our inability to protect ourselves or our children from the worst-case scenario while also imagining in exhaustive detail the bleak experience of survival. The people around Edward have no idea how to deal with him; his aunt and uncle try their best to protect him from the horrors of his instant celebrity as Miracle Boy. As one might expect, there is a ray of light for Edward at the end of the tunnel, and for hardier readers this will make Napolitano’s novel a story of hope.

Well-written and insightful but so heartbreaking that it raises the question of what a reader is looking for in fiction.

Pub Date: Jan. 14, 2020

ISBN: 978-1-9848-5478-0

Page Count: 352

Publisher: Dial

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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