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Mimi Plus Two

A charming tale of marriage, motherhood, an extended family, and a royal one.

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Having a fiance/baby daddy who’s a relative of the royal family ratchets up a young woman’s stress level as she makes plans to get married and give birth in this chick-lit romp.

In Dineen’s (Wilhelmina and the Willamentte Wig Factory, 2015, etc.) first sequel, Mimi’s fiance, Englishman Elliot Fielding, is a bestselling author and the future Earl of Houndstoothbury on the Thames. “That’s not really his title,” the bride-to-be explains, but she’s forgotten exactly what it is. Thirty-five-year-old Mimi—“Meems” to friends and family—has a lot on her mind, including being pregnant, finalizing plans for both her church wedding and the reception in a sister’s palatial backyard, and meeting stuffy future in-laws Archibald and Victoria. Intimidated Mimi likens Archibald’s bearing to someone who’s caught a hint of Limburger, and she calculates that Victoria’s earrings probably cost more than her own 6-year-old red Honda. Meems also meets Elliot’s sister Philippa, aka “Pippa.” Pippa’s apparent gift of having ties to the spirit world delights the bride-to-be; Pippa may even be a match for Mimi’s former beau, Richard Bingham. Once married, life hardly slows for Meems, what with shopping for an opulent home in a tony suburb of Chicago (now that “money isn’t an issue”), hiring a nanny, and dealing with a tongue-clucking decorator. While pregnant, Mimi often focuses on food cravings, which run the gamut from french fries to Vosges-Haut truffles. But after her daughter is born, her thoughts switch to the joy and responsibility of motherhood. Emphasized along the way are the importance of giving back to the community and the values of friendship, family, and forgiveness. Although primarily a humorous book, it tackles homelessness, significant physical illness, and postpartum depression. References to food and weight seem overdone, and Mimi’s anxiety about aliens can grow tiresome. But it’s a fun book, written in an entertaining way and with lively characters, especially Mimi, who, confessing to a “love of all things, Sophie Kinsella,” names her baby Sophie.

A charming tale of marriage, motherhood, an extended family, and a royal one.

Pub Date: April 27, 2016

ISBN: 978-1-5327-6612-1

Page Count: 330

Publisher: CreateSpace

Review Posted Online: May 2, 2016

Kirkus Reviews Issue: June 1, 2016

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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