Gaskell has mastered the art of putting the fun in dysfunctional.
Gaskell's novel invites readers to monthly dinner parties featuring mouthwatering menus and a group of guests dealing not so well with various relationship issues.
Fran’s husband, Will, would rather work on his action-figure robots in the garage than listen to her concerns. Despite his distraction, Will does seem aware that Fran’s parenting skills are in need of improvement. Fran is terribly disturbed that her surly teenage daughter spends a small fortune on designer sunglasses to keep up appearances with the rich girls she attends private school with, but she then expects Will to repaint the living room, replace a kitchen counter and do major landscaping projects to impress their friends the next time they host the meeting of their monthly dinner club. Clearly, she is unaware that teaching by example trumps controlling by ultimatum. Jaime’s husband, Mark, would rather go to tennis tournaments to watch his snotty teenage daughter from a first marriage than help Jaime care for their two young children. This obsession makes Jaime think that perhaps Mark is having an affair with the tennis coach. While right about the affair, she is wrong about with whom. Audrey, childless and widowed at a young age, would rather get a dog than date the men her friends keep trying to set her up with. Nonetheless, she finds herself feeling hot and bothered in the presence of Will’s sexy single friend, Coop. Only Leland, the old widower from down the block, seems grounded and secure. Physically frail, Leland has a strong spirit, a ready sense of humor and often offers insightful advice on life before he dies. A series of dramatic crises force the dinner club members to confront their own flaws and work on their lives. All the characters at different times compare their lives to various contemporary TV shows and this book, chapter by chapter, could easily be transposed to serial episodes of a TV sitcom.
Gaskell has mastered the art of putting the fun in dysfunctional.Pub Date: April 23, 2013
ISBN: 978-0-553-38628-8
Page Count: 416
Publisher: Bantam
Review Posted Online: Feb. 2, 2013
Kirkus Reviews Issue: Feb. 15, 2013
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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