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TABLE FOR SEVEN

Gaskell has mastered the art of putting the fun in dysfunctional.

Gaskell's novel invites readers to monthly dinner parties featuring mouthwatering menus and a group of guests dealing not so well with various relationship issues.

Fran’s husband, Will, would rather work on his action-figure robots in the garage than listen to her concerns. Despite his distraction, Will does seem aware that Fran’s parenting skills are in need of improvement. Fran is terribly disturbed that her surly teenage daughter spends a small fortune on designer sunglasses to keep up appearances with the rich girls she attends private school with, but she then expects Will to repaint the living room, replace a kitchen counter and do major landscaping projects to impress their friends the next time they host the meeting of their monthly dinner club. Clearly, she is unaware that teaching by example trumps controlling by ultimatum. Jaime’s husband, Mark, would rather go to tennis tournaments to watch his snotty teenage daughter from a first marriage than help Jaime care for their two young children. This obsession makes Jaime think that perhaps Mark is having an affair with the tennis coach. While right about the affair, she is wrong about with whom. Audrey, childless and widowed at a young age, would rather get a dog than date the men her friends keep trying to set her up with. Nonetheless, she finds herself feeling hot and bothered in the presence of Will’s sexy single friend, Coop. Only Leland, the old widower from down the block, seems grounded and secure. Physically frail, Leland has a strong spirit, a ready sense of humor and often offers insightful advice on life before he dies. A series of dramatic crises force the dinner club members to confront their own flaws and work on their lives. All the characters at different times compare their lives to various contemporary TV shows and this book, chapter by chapter, could easily be transposed to serial episodes of a TV sitcom. 

Gaskell has mastered the art of putting the fun in dysfunctional.

Pub Date: April 23, 2013

ISBN: 978-0-553-38628-8

Page Count: 416

Publisher: Bantam

Review Posted Online: Feb. 2, 2013

Kirkus Reviews Issue: Feb. 15, 2013

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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