Gaskell has mastered the art of putting the fun in dysfunctional.
Gaskell's novel invites readers to monthly dinner parties featuring mouthwatering menus and a group of guests dealing not so well with various relationship issues.
Fran’s husband, Will, would rather work on his action-figure robots in the garage than listen to her concerns. Despite his distraction, Will does seem aware that Fran’s parenting skills are in need of improvement. Fran is terribly disturbed that her surly teenage daughter spends a small fortune on designer sunglasses to keep up appearances with the rich girls she attends private school with, but she then expects Will to repaint the living room, replace a kitchen counter and do major landscaping projects to impress their friends the next time they host the meeting of their monthly dinner club. Clearly, she is unaware that teaching by example trumps controlling by ultimatum. Jaime’s husband, Mark, would rather go to tennis tournaments to watch his snotty teenage daughter from a first marriage than help Jaime care for their two young children. This obsession makes Jaime think that perhaps Mark is having an affair with the tennis coach. While right about the affair, she is wrong about with whom. Audrey, childless and widowed at a young age, would rather get a dog than date the men her friends keep trying to set her up with. Nonetheless, she finds herself feeling hot and bothered in the presence of Will’s sexy single friend, Coop. Only Leland, the old widower from down the block, seems grounded and secure. Physically frail, Leland has a strong spirit, a ready sense of humor and often offers insightful advice on life before he dies. A series of dramatic crises force the dinner club members to confront their own flaws and work on their lives. All the characters at different times compare their lives to various contemporary TV shows and this book, chapter by chapter, could easily be transposed to serial episodes of a TV sitcom.
Gaskell has mastered the art of putting the fun in dysfunctional.Pub Date: April 23, 2013
ISBN: 978-0-553-38628-8
Page Count: 416
Publisher: Bantam
Review Posted Online: Feb. 2, 2013
Kirkus Reviews Issue: Feb. 15, 2013
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
