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THE HAYGOODS OF COLUMBUS

A LOVE STORY

Here is an unsentimental family memoir that also elegizes Mt. Vernon Avenue, a mile-and-a-quarter strip that once saw its best days as the heartbeat of Columbus, Ohio's African-American community in the 1940s, '50s and '60s. Haygood, a Boston Globe reporter, is the author of two previous books, including an admired 1993 biography of Adam Clayton Powell Jr., King of the Cats. This book, an account of ``the common Burkes, the holding-on Haygoods,'' documents a sprawling urban, working-class African-American family with southern rural roots. These are people who juggle multiple jobs and scrimp to buy homes and to dress with style on Saturday night and Sunday morning. In 1968, as Haygood is entering adolescence, his spirited mother, Elvira, moves her brood from her parents' ramshackle house to a new, three-acre federal housing complex on the other side of town, closer to the glitter of Mt. Vernon Avenue's nightlife, where she too often drifts in search of glamour beyond her workaday world. The lure of the streets and easy living poses a constant threat to the Haygood siblings, but even when they succumb, some of them find a redemptive path through faith, family, and grit. What keeps Wil on his upwardly mobile path is a devotion to basketball. Ironically, his athletic skills are marginal, but he has the shrewdness to transfer to a more affluent and academically stronger high school, where he makes the team. To protect his eligibility to play sports, he gets himself into a federally funded summer enrichment program. Such improvisational efforts result in a scholarship to Miami University of Ohio. After graduation, a stint on the local black weekly newspaper, whose offices anchored the business community of Mt. Vernon Avenue, sets him on his eventual career course. With an unpretentious eloquence and humor, Haygood shows a deft ability to convey complex lives, a past era, and a memorable place. (20 b&w photos, not seen) (Author tour)

Pub Date: April 13, 1997

ISBN: 0-395-67170-1

Page Count: 358

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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