A delightfully monstrous and fresh take on a traditional story.
This fairy-tale retelling by picture-book veteran Blevins (Colors All Around, 2016, etc.) and illustrator Cox (Ben’s Rocket, 2016, etc.) might be just what the fairy godmother ordered for readers who are bored of goody-two-shoes Cinderellas.
After a warning to readers that this story is “one of the scariest,” it introduces night-owl Ella, who rubs soot into her skin so that she’ll better blend into the darkness during her night wanderings. She climbs trees, howls at the moon, and frolics with the forest residents. Her stepsisters, meanwhile, are mean and take cleanliness too seriously. When the invitation to a prince’s ball arrives, Ella gives attending some consideration; she’s never wanted to marry a prince, but she does want out of her stepmother’s awful house. Problematically, she has no dress or ride; even worse, her usual, wonderful fairy godmother is on vacation. (Ella has caused her a lot of worry with her night wandering in the past.) Instead, a bat-winged, creepy fairy godfather shows up, granting her a dress worthy of a flamenco dancer and a blood-red tomato carriage with rabbit coachmen pulled by a white-tailed deer and a brown bear. Ella is the hit of the ball, and she loves the costumes of the other guests, who look like monsters, ghosts, and mummies. The problem? Those aren’t costumes, and the vampire prince wants to taste Ella’s blood. But maybe, Ella considers, a vampire wouldn’t be so bad as a husband. Although Blevins bills this book as a twisted fairy tale for brave readers, none of the monsters are too scary, and the happy ending is more comical than eerie. Confident, independent readers who love their stories with a hefty dose of Halloween humor will fall under this Cinderella’s spell, and they’ll applaud the ending in which Ella gets to be herself and enjoy her nighttime hobbies with someone who’s happy to join her (minus the blood drinking, which is glossed over). Cox’s illustrations capture the tone perfectly and introduce a cast of creatures that never crosses the line into terror.
A delightfully monstrous and fresh take on a traditional story.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Red Chair Press
Review Posted Online: June 1, 2016
Kirkus Reviews Issue: July 15, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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