A delightfully monstrous and fresh take on a traditional story.
This fairy-tale retelling by picture-book veteran Blevins (Colors All Around, 2016, etc.) and illustrator Cox (Ben’s Rocket, 2016, etc.) might be just what the fairy godmother ordered for readers who are bored of goody-two-shoes Cinderellas.
After a warning to readers that this story is “one of the scariest,” it introduces night-owl Ella, who rubs soot into her skin so that she’ll better blend into the darkness during her night wanderings. She climbs trees, howls at the moon, and frolics with the forest residents. Her stepsisters, meanwhile, are mean and take cleanliness too seriously. When the invitation to a prince’s ball arrives, Ella gives attending some consideration; she’s never wanted to marry a prince, but she does want out of her stepmother’s awful house. Problematically, she has no dress or ride; even worse, her usual, wonderful fairy godmother is on vacation. (Ella has caused her a lot of worry with her night wandering in the past.) Instead, a bat-winged, creepy fairy godfather shows up, granting her a dress worthy of a flamenco dancer and a blood-red tomato carriage with rabbit coachmen pulled by a white-tailed deer and a brown bear. Ella is the hit of the ball, and she loves the costumes of the other guests, who look like monsters, ghosts, and mummies. The problem? Those aren’t costumes, and the vampire prince wants to taste Ella’s blood. But maybe, Ella considers, a vampire wouldn’t be so bad as a husband. Although Blevins bills this book as a twisted fairy tale for brave readers, none of the monsters are too scary, and the happy ending is more comical than eerie. Confident, independent readers who love their stories with a hefty dose of Halloween humor will fall under this Cinderella’s spell, and they’ll applaud the ending in which Ella gets to be herself and enjoy her nighttime hobbies with someone who’s happy to join her (minus the blood drinking, which is glossed over). Cox’s illustrations capture the tone perfectly and introduce a cast of creatures that never crosses the line into terror.
A delightfully monstrous and fresh take on a traditional story.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Red Chair Press
Review Posted Online: June 1, 2016
Kirkus Reviews Issue: July 15, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The greeting-card art and jokey rhymes work for the baby-shower market but not for the youngest readers.
Animal parents declare their love for their offspring through rhymed puns and sentimental art.
The title sets the scene for what’s to come: The owl asks the owlet as they fly together, “WHOO loves you?”; the kangaroo and joey make each other “very HOPPY”; and the lioness and cub are a “PURRRFECT pair.” Most of the puns are both unimaginative and groanworthy, and they are likely to go over the heads of toddlers, who are not know for their wordplay abilities. The text is set in abcb quatrains split over two double-page spreads. On each spread, one couplet appears on the verso within a lightly decorated border on pastel pages. On the recto, a full-bleed portrait of the animal and baby appears in softly colored and cozy images. Hearts are prominent on every page, floating between the parent and baby as if it is necessary to show the love between each pair. Although these critters are depicted in mistily conceived natural habitats and are unclothed, they are human stand-ins through and through.
The greeting-card art and jokey rhymes work for the baby-shower market but not for the youngest readers. (Board book. 6 mos-2)Pub Date: Jan. 7, 2020
ISBN: 978-1-7282-1374-3
Page Count: 24
Publisher: Sourcebooks Wonderland
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
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