If unlikely to bring new fans into the fold, sure to please old-time admirers of an essential rocker.
Solid, occasionally hagiographic life of the British musician who helped pub rock evolve into punk, New Wave, and beyond.
Nick Lowe (b. 1949), writes Mojo contributor and musician Birch, is “simply peerless,” a musician’s musician whose songs have been recorded by the likes of Elvis Costello, Tom Petty, Johnny Cash, and Rod Stewart. He is also an international man of mystery and renowned toper who, while now calmed down at age 70, would put the fear in Keith Richards for powers of consumption. The author recounts Lowe’s musical evolution from “beat group” to pub rock, the latter of which was a more energetic answer to America’s singer/songwriter wave of the early 1970s, born with the rise of bands like Kippington Lodge, which, though they “simply lacked teen appeal,” put Lowe at center stage as singer, songwriter, and bassist. An encounter with fellow musician Brinsley Schwarz sealed the deal. Their live debut was unimpressive, writes Birch, opening for Van Morrison; watching him onstage, Lowe recalls, “I had a mounting sense of dread that we’d made a terrible mistake.” They got better, launching a musical movement that fed directly into the punk ethos of a few years later. After Costello recorded his “(What’s So Funny About) Peace, Love, and Understanding,” Lowe came under increasing demand as a songwriter, boasting that he could write for anyone—the Clash, the Jam, Tin Pan Alley; he also began to produce while playing live with Dave Edmunds, Carlene Carter, Ry Cooder, and others. The question, asked and answered, as to why Lowe isn’t more famous is a little obvious; there are and have always been many journeymen musicians who provide rock-solid support without ever making the headlines. But though he tends to be a touch worshipful, Birch makes clear that Lowe’s contributions to pop music have been many and mighty—and certainly worthy of celebration with a biography.
If unlikely to bring new fans into the fold, sure to please old-time admirers of an essential rocker.Pub Date: Aug. 20, 2019
ISBN: 978-0-306-92195-7
Page Count: 416
Publisher: Da Capo
Review Posted Online: May 11, 2019
Kirkus Reviews Issue: June 1, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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