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VIGILANT

An absorbing crime tale fused with an intriguing take on superhero origins.

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In this debut novel, a TV reporter looks into a well-known vigilante who inspired a city.

West Hamington’s citizens may be rooting for all those masked and costumed vigilantes: They’ve got people thinking twice about committing any sort of crime, and there are even rumors that local cops have been funding these amateur law enforcers. But Taylor Gardner sees the downside, having lost his young fiancee, Alice, in vigilante crossfire. Now, he has the chance to talk to Timothy Hudson, the city’s original and now retired (and identified) vigilante. Taylor’s boss at Action News 3 OKs his interview at Hudson’s “majestic mansion,” where the battle-scarred crime fighter, who relies on a wheelchair, has become a recluse. He’s not exactly cooperative, as he doesn’t allow a camera in his house, and Taylor suspects that Hudson sprinkles lies throughout his stories. Though as a child he looked up to Hudson, Taylor blames the ex-vigilante for Alice’s death. But he soon sees the merit in all the things Hudson has done when the reporter himself is a victim of crime. Meanwhile, Sam DeWitt, a former heroin dealer who was “always using his own supply,” now lives on West Hamington’s streets. It seems that he’s on his way to becoming a full-blown villain, as his constant need for money ignites a string of increasingly violent crimes. Things look even grimmer once he gets his hands on a gun, which he’s ready to point at any vigilante standing in his path.

In this engrossing series opener, Bowron deconstructs the superhero origin story, as Hudson shares similarities with Batman, who’s also a vigilante. Taylor even hungers for a “catalyst” behind Hudson’s secret identity journey. This tale shows the valor of crime fighting getting lost when an innocent bystander like Alice dies. All of the city’s vigilantes put themselves and others in danger when they roam the streets without adequate training. Perhaps unsurprisingly, action scenes are nominal, as the story skillfully zeroes in on characters, motives, and consequences. It’s likewise straight-faced despite a handful of silly vigilante names, such as Killa Fist, the yellow raincoat–donning Big Bus, and Church, supposedly a former nun who fights crime in a habit. As the narrative progresses, it’s clear Hudson has an agenda beyond his recorded biography, one that most readers will guess. He’s otherwise a curious enigma; Hudson combatted criminals with a baseball cap concealing his face, and he still keeps his head down, figuratively, with his apparent evasiveness during Taylor’s interview. But there are plenty of other characters headlining their own chapters. Sam is particularly memorable; his brutality zaps readers’ potential sympathy and may stem from something deep within his psyche, not from his circumstances or environment. There’s also a striking character who joins the others as a vigilante as well as a couple of police officers who are less than squeaky clean. The ending foregoes resolution in favor of leaving subplots open for the sequel. This is quite effective; all of the characters—bad and good—have drastically new directions awaiting them.

An absorbing crime tale fused with an intriguing take on superhero origins.

Pub Date: May 31, 2022

ISBN: 979-8985482300

Page Count: 346

Publisher: Self

Review Posted Online: Oct. 20, 2022

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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