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MARIGOLD

A funny and thought-provoking supernatural tale with a memorable protagonist.

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In this novel, a woman who speaks to angels finds herself trapped in a corporate cult.

Massage therapist Marigold Sunshine Whitaker can talk to angels. All mortals have angels, she claims—looking after them, keeping them out of trouble—but most people don’t realize it. “Let’s be real clear, though: Angels are not like these cute little baby butts flying around,” Marigold explains. “They are fierce. Like, they do not play around. And you do not want to make fun of an Angel or piss it off. Trust me.” Marigold blames her angels for landing her in prison, her punishment for assaulting a prominent local real estate agent after he tried to force her to give him a massage of a different sort. (Marigold claims the angels possessed her during the assault and then again when she threatened the judge during her trial.) When a lucky break gets her out of jail early, Marigold takes a job at the Denver Airport, hoping to save enough money to move to Ibiza. By an immense stroke of luck—or some targeted manifesting—Marigold meets and impresses Krish McKinley, the founder and CEO of the lifestyle brand Wolf&Bees. Krish invites Marigold to become his personal assistant, and it seems like a dream come true—at first. But it soon becomes clear that Krish’s company is more than a little cultlike, and even Marigold’s angels might not be influential enough to get her out of it. Clarke’s prose is sharp and funny, as here where Marigold admits the blind spots of her angelic protectors: “Angels don’t always understand everything down here on Earth. As powerful as Uriel is, he simply does not grasp the nuance of workplace dynamics or paying bills or even why you would want to heat up your Lean Cuisine in a microwave.” Marigold is a wonderfully realized creation, managing to remain sympathetic even at her most shocking and irrational moments. The book succeeds in satirizing various woo-woo aspects of modern society while inviting readers to seriously consider how and why they construct their personal belief systems.

A funny and thought-provoking supernatural tale with a memorable protagonist.

Pub Date: N/A

ISBN: 978-1-08-802133-0

Page Count: 469

Publisher: Middle Finger Press

Review Posted Online: May 11, 2022

Kirkus Reviews Issue: July 1, 2022

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MAAME

A fresh, often funny, always poignant take on the coming-of-age novel.

After a loss, a young British woman from a Ghanaian family reassesses her responsibilities.

Her name is Maddie, but the young protagonist in George’s engaging coming-of-age novel has always been known to her family as Maame, meaning woman. On the surface, this nickname is praise for Maddie’s reliability. Though she’s only 25, she works full time at a London publishing house and cares for her father, who’s in the late stages of Parkinson’s disease. Maddie’s older brother, James, has little interest in helping out, and their mother is living in Ghana and running the business she inherited from her own father. When she needs money, she always calls Maddie, who shoulders these expectations and burdens without complaint, never telling her friends about her frustrations: “We’re Ghanaian, so we do things differently” is an idea that's ingrained in her. Her only confidant is Google, to whom she types desperate questions and gets only moderately helpful responses. (Google does not truly understand the demands of a religious yet remote African-born mother.) But when Maddie loses her job and tragedy strikes, she begins to question the limits of family duty and wonders what sort of life she can create for herself. With a light but firm touch, George illustrates the casual racism a young Black woman can face in the British (or American) workplace and how cultural barriers can stand in the way of aspects of contemporary life such as understanding and treating depression. She examines Maddie’s awkward steps toward adulthood and its messy stew of responsibility, love, and sex with insight and compassion. The key to writing a memorable bildungsroman is creating an unforgettable character, and George has fashioned an appealing hero here: You can’t help but root for Maddie’s emancipation. Funny, awkward, and sometimes painful, her blossoming is a real delight to witness.

A fresh, often funny, always poignant take on the coming-of-age novel.

Pub Date: Jan. 31, 2023

ISBN: 978-1-2502-8252-1

Page Count: 320

Publisher: St. Martin's

Review Posted Online: Nov. 15, 2022

Kirkus Reviews Issue: Dec. 1, 2022

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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