A bizarrely soulful ride through New Orleans with corporate high jinks and some mystical, unseen forces adding to the...
An oil company lawyer moves home to New Orleans and finds that his fortuneteller mother has disappeared in Clarke’s (The Worthy, 2006, etc.) novel.
Duke Melançon grew up in New Orleans, at the corner of Magazine and Napoleon, in a fancy, inherited house that his wild Cajun family has practically destroyed. His father married a Russian fortuneteller, known as Madame Melançon, and they had seven sons and one girl. The youngest son, Duke, is a corporate lawyer in the External Affairs Department for oil giant Mandala Worldwide. During an accident on a rig in the Gulf of Mexico, 50 workers died, and oil is pouring into the Gulf. The company transfers Duke and his wife and kids to New Orleans to deal with the fallout, and Duke learns of a family crisis “when their witchy mother runs out into the hot, syrupy night, chasing a calico cat.” Madame Melançon doesn’t come home, and the family launches a search effort while Duke’s new home is invaded by a gaze of raccoons. As Duke’s wife and kids flee the craziness for Houston, Duke searches for answers about his mother from colorful locals, including a Kurt Vonnegut–like homeless guy and a shady villain. An elusive necklace of gold coins may hold the key to Madame’s location as Duke tries to stay afloat with his career and his marriage. Clarke’s riotous, amusing novel parallels real events, namely the Deepwater Horizon oil spill, which does help ground a story that moves toward a moderately supernatural conclusion. The Melançons’ stomping ground, the boisterous streets of New Orleans, is described in raucous and earthy details, a perpetual morning-after that juxtaposes inebriated tourists and battered locals. The family crisis is as pressing as the oil disaster. It’s all very entertaining but also raises consequential questions about whether money can solve a moral crisis.
A bizarrely soulful ride through New Orleans with corporate high jinks and some mystical, unseen forces adding to the experience.Pub Date: July 19, 2017
ISBN: 978-0-9726588-3-6
Page Count: 354
Publisher: Middle Finger Press
Review Posted Online: July 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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