An adoringand at times vexingly detailedlook at one of pop music's most enduring and controversial icons. Friedwald (Jazz Singing, 1990) has collected enormous amounts of information on ``The Voice's'' career: interviews with Sinatra peers, discographic background, and an intimate familiarity with the entire Sinatra canon. Sorting all this information is a challenge at which Friedwald only partially succeeds. Most events and analyses of songs are treated in chronological order; Sinatra's various arrangers define phases of the singer's career, as evidenced in chapter titles such as ``With Axel Stordahl, 19431948.'' Friedwald is at his best when describing, with some technical depth, how a particular arranger colored Sinatra's music. Musicians will appreciate the author's informed appraisals, while lay listeners will glean enough not to get lost. Arrangers are often unsung heroes, and Friedwald gives greats like Nelson Riddle and Gordon Jenkins their due. And many of the small details included will fascinate Sinatra fans: ``Fly Me to the Moon,'' for example, was the first music ever heard on the moon. However, at times Friedwald waxes on as if he were one of Frank's bobby-soxer fans, heaping praise on each syllable of Sinatra's phrasing and slowing the narrative turntable to a nauseating 16 rpms. The author's starry eyes miss much of Sinatra's bad behavior. And when he does recount some notorious outbursts, such as his punching out columnist Lee Mortimer in 1947 or calling an Australian journalist a whore in 1974, the author makes excuses for his hero. Reputed mob connections are only briefly alluded to. Sinatra! will appeal to those already under the master singer's spell but will probably not enlighten those with only a passing interest in Ol' Blue Eyesthe book reveals its subject without transcending it.
Pub Date: Sept. 1, 1995
ISBN: 0-684-19368-X
Page Count: 560
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1995
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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