Gentle guffaws abound in this bucolic charmer.
In this sophomore volume of collected comic strips (Wallace the Brave, 2017), three friends embark upon outdoorsy, giggleworthy escapades.
In sleepy Snug Harbor, Rhode Island, Wallace lives with his family: his fisherman father, mischievous little brother, and (mostly) patient mother. He spends his days joined by his friends, spunky, orange-tressed Amelia and square-headed Spud, who has a kewpie curl of lavender spiky hair. In a series of loosely strung vignettes, readers follow Wallace through a year, hitting kid-anticipated milestones such as summer vacation, Halloween, and Christmas. Despite a contemporary setting where electronics in the form of game consoles and smartphones are present, Wallace and his gang spend most of their time outdoors, powered by their imaginations in their small enclave, giving this a pleasant throwback feel and spotlighting lives unencumbered by both technology and overscheduling. Each page is populated with a few large, bright, full-color panels with a gentle emphasis on family and friendship. Expect fans of Lincoln Peirce’s Big Nate series to find kinship here. In the small cast of characters, Wallace, his family, and his friends all present white, although his teacher, Mrs. Macintosh, has brown skin. Included aftermatter encourages young readers to engage in their own nature-inspired crafts with instructions for making a winter mobile and a DIY field book.
Gentle guffaws abound in this bucolic charmer. (Graphic fiction. 7-12)Pub Date: Sept. 24, 2019
ISBN: 978-1-5248-5177-4
Page Count: 176
Publisher: Andrews McMeel Publishing
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.
Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).
The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).
More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)Pub Date: Dec. 26, 2017
ISBN: 978-0-545-93518-0
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: May 13, 2018
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