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MASTER-PIECES

FLIP AND FLOP 10 GREAT WORKS OF ART

A visit to “any museum with portraits” would be time better spent.

Horizontally split pages encourage young appreciators of art to mix and match facial features of 10 classic portraits.

Printed on heavy stock and arranged in no apparent order, the paintings—and the one Japanese woodblock print—are all close-ups that are adjusted for size so that George Washington’s jaw will (more or less) fit the Mona Lisa’s nose beneath the brow of, say, Vincent Van Gogh or Frida Kahlo. Arcimboldo’s fruit-and-veggie Vertumnus, the Japanese actor Sawamura Sojuro III, and African-American entrepreneur Edna Powell Gayle add at least a bit of diversity to the exhibit’s subjects. Stylistically, though, there is a lack of strong visual contrast. Viewers who flip the parts back and forth are likely to be equally unexcited by Lach’s bland commentary opposite: “My cheeks are of apples, my nose is a pear” notes Vertumnus self-evidently. The gloss in Gayle’s voice is positively vapid: “I run a Chicago art gallery, and my elegant hairstyle is perfect for my job.” And, alas, so is Frida Kahlo’s: “I am an artist. My elaborate hairstyle shows my love of Mexico.” Along with further information about each work and its creator at the end, the author offers a few desperate ideas for activities, such as visiting the originals or “any museum with portraits.”

A visit to “any museum with portraits” would be time better spent. (Novelty. 7-10)

Pub Date: Oct. 11, 2016

ISBN: 978-0-7892-1274-0

Page Count: 28

Publisher: Abbeville Kids

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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THE JUNKYARD WONDERS

Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)

Pub Date: July 1, 2010

ISBN: 978-0-399-25078-1

Page Count: 48

Publisher: Philomel

Review Posted Online: May 31, 2010

Kirkus Reviews Issue: June 15, 2010

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THE SINGING ROCK & OTHER BRAND-NEW FAIRY TALES

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...

The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.

Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)

Pub Date: June 18, 2019

ISBN: 978-1-59643-750-0

Page Count: 112

Publisher: First Second

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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