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THE TIME HAS COME

Humor and empathy propel Leitch’s characters toward their fates.

The routine lives of several residents of Athens, Georgia, collide unexpectedly when a fourth grade teacher seeks to avenge injustices she believes were caused by a prominent local family.

Leitch launches the timeline of Tina Lamm’s efforts to expose and end the misbehavior she believes has occurred for years at Lindbergh’s—a family-owned drugstore in Athens—with a missive from Tina that (vaguely) explains why she feels her actions are needed. The ticking of Leitch’s countdown clock grows louder as the backstories of the varied characters are gradually revealed. Tina’s own unhappy family saga is one of loss and misunderstanding. Theo, the ambivalent heir to the Lindbergh legacy, copes as best he can with the weight of an inheritance and responsibilities he did not seek. Daphne, a local nurse and military veteran, relies on her strong religious faith to cope with the realities of her work and life. Widowed Dorothy attempts to create a new life for herself, while Karson, a lawyer by trade, balances his nonprofit social-development work with the need to support a family. Building contractor (and baseball coach) Jason walks the line between good ol’ Southern guy and worried dad, while music entrepreneur David faces the demons of recovery and capitalism while running a popular venue in town. (Everyone has family, friends, and foes in their own orbit, and these characters wind up in the larger mix as well.) The racially mixed cast of characters comes together in an explosive episode that has elements that are both predictable and unexpected. Leitch touches on issues of historical concern as well as current social ills as the suspense builds toward Tina’s misguided, violent attempt at settling scores in a game she may not totally understand.

Humor and empathy propel Leitch’s characters toward their fates.

Pub Date: May 16, 2023

ISBN: 9780063238510

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: March 13, 2023

Kirkus Reviews Issue: April 1, 2023

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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HOLLYWOOD, ENDING

A classic Green portrait of young love…but here the fault is in our social media.

A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.

“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?

A classic Green portrait of young love…but here the fault is in our social media.

Pub Date: Sept. 22, 2026

ISBN: 9780525426073

Page Count: 304

Publisher: Dutton

Review Posted Online: Sept. 4, 2026

Kirkus Reviews Issue: Oct. 15, 2026

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