Evocative tales of alternate realities steeped in the ethos of Shirley Jackson and Ray Bradbury.
Fabulist Ludwigsen (In Search Of and Others, 2013) returns with a fresh collection of surreal tales from the dark side.
As in his previous volume, Ludwigsen uses a popular television show as a rough framework for his eerie tales. This time, the early 1960s late-night show is called Acres of Perhaps and is clearly standing in as a cheaper, more oddball version of The Twilight Zone. Our narrator for this primary story is Barry Weyrich, a writer haunted by his perceived lack of talent or ambition. “I was just Barry Weyrich, the guy who wrote about spacemen in glass bubble helmets, who put the commas in everyone’s scripts, who never had writer’s block, who grimaced when they talked about 'magic,' " he tells us. His frenemy among the other writers is David Findley, an “eloquent drunk” whose expansive imagination fuels the show’s strangest episodes and who turns out, in the end, to not be quite whom he represented to his friends. A handful of interstitial entries scattered between four more stand-alone stories offer synopses of episodes from Acres of Perhaps along with wry show notes. “The Zodiac Walks on the Moon” offers a peek inside the head of the Zodiac killer and his take on the moon landings. “The Leaning Lincoln” echoes some of Stephen King’s more grounded stories, with a tale of a small leaden toy that brings calamity with it. Other than the title story, the collection’s cleverest attraction is “Night Fever,” an oral history that imagines that Charles Manson was imprisoned during the 1960s and emerged fully obsessed with the Bee Gees in the days of disco. Ludwigsen ties things up with the elegiac “Poe at Gettysburg,” which imagines the erratic poet as president delivering a very different version of the Gettysburg Address.
Evocative tales of alternate realities steeped in the ethos of Shirley Jackson and Ray Bradbury.Pub Date: April 22, 2018
ISBN: 978-159021-365-0
Page Count: 198
Publisher: Lethe Press
Review Posted Online: Feb. 10, 2018
Kirkus Reviews Issue: Feb. 15, 2018
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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