Original, mind-bending, terrifying fun.
A group of college students takes on a haunted house in 1990s Britain.
It’s the summer of 1993, and Alex Lane has nowhere to go. He’s 19, his parents are dead, and his plan to stay in his dorm gets quashed by the university, but he’s offered a lifeline: He can stay with a group of other young people in an abandoned mental hospital the university is planning to acquire if he agrees to take a job emptying it out, and then do the same to a nearby house. He agrees, and is introduced to a motley crew including Clive Masters, an amiable pothead; Helen Barker, a high-strung Christian; and a beautiful latecomer named Ella Garner, to whom Alex takes an immediate shine. It’s boring work at first, but things change when they move from the hospital to the house, which was once owned by the eccentric Edwin Flayne. The students quickly realize that the house is more than a bit disturbing—it’s stuffed to the gills with boxes and papers: “There was no space inside the house. There was no light, no air. There was only mania.” Things start to get really dark when they discover Flayne’s esoteric notebooks as well as a mysterious cave, and when one of the students, Adam, a “pale strange boy,” lashes out at Alex over his relationship with Ella. Maclean proves to be a master at pacing, creating suspense with ease; nothing is predictable in this novel, least of all the shocking conclusion. His characters are beautifully drawn, especially the endearing and haunted Alex, who narrates with a distinctive, often funny voice, and Ella, who works well as his foil. While the mood is both psychedelic and gothic, with unmistakable Lovecraft-ian overtones, it’s very much anchored in the early 1990s, an era Maclean brings to life flawlessly. Brilliantly written and scary as hell, this is a masterwork of horror fiction.
Original, mind-bending, terrifying fun.Pub Date: Oct. 13, 2026
ISBN: 9780802168689
Page Count: 512
Publisher: Grove
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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