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THE END OF YOUR LIFE BOOK CLUB

In a heartfelt tribute to his mother, Schwalbe illustrates the power of the written word to expand our knowledge of...

Schwalbe (co-author: Send: The Essential Guide to Email for Office and Home, 2007) chronicles his book-related conversations with his mother after she was diagnosed with advanced pancreatic cancer.

Books provided the author with much-needed ballast during the chaos and upheaval of his mother’s terminal illness. While they waited together through interminable doctor visits, hospital stays and chemotherapy sessions, they discussed what they had been reading. This became the beginning of the “End of Your Life Book Club.” As Schwalbe points out, the name was appropriate not just because his mother was dying, but because any book could be your last. Books provided an avenue for the author and his mother to explore important topics that made them uneasy. As his mother told him, “That’s one of the things books do. They help us talk. But they also give us something we all can talk about when we don’t want to talk about ourselves.” They discussed books not as a sick or healthy person but as “a mother and a son entering new worlds together.” Their reading list was diverse and cut across genres, generations and borders. Some of the books included The Girl with a Dragon TattooThe Book of Common Prayer and The Etiquette of Illness, and the authors included Dennis Lehane, E.M. Forster and Thomas Pynchon. Schwalbe, who served as the editor in chief of Hyperion Books, introduces each of the authors with the insight of a veteran editor, highlighting their styles and strengths. Each chapter holds a subtle message fleshed out through their readings and discussions, and themes include gratitude, loneliness, feminism, faith, communication, trust and grief.

In a heartfelt tribute to his mother, Schwalbe illustrates the power of the written word to expand our knowledge of ourselves and others.

Pub Date: Oct. 2, 2012

ISBN: 978-0-307-59403-7

Page Count: 352

Publisher: Knopf

Review Posted Online: July 16, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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