Entering a Self fantasy (Grey Area, 1996, etc.) demands both a strong stomach and a readiness to experience narrative pyrotechnics, but in this second novel (after My Idea of Fun, 1994), in which an artist wakes up after a bender to discover that his entire world is now run by chimpanzees, these demands are amply rewarded. Not only is the world run by chimpanzees, but the painter Simon Dykes finds that his girlfriend has turned into a chimp. And that's not all: The increasingly frenzied painter notices that he's becoming a bit hairy as well. The ultimate mind-bender arrives with the emergency psychiatric team: There's not a human being among them. Simon goes comatose and is hauled off to the psycho ward. Enter Dr. Zack Busner, controversial but respected chimpanzee analyst, whose method includes taking his most flamboyant cases on talk shows. Busner has never seen a case like Simon's before, and he marvels at the consistency of the artist's human delusions when his charge recovers sufficiently to communicate. After all, he tells Simon, he is a chimpanzee. Whence came this odd idea that he's a human? (Humans are a sad, grubby species, condescended to by the articulate, successful chimp world.) He takes Simon into his home, a normal chimp domicile full of sub-adults, mating frenzies, and group grooming sessions, there to work intensely with his patient—and, by degrees, Simon does begin to adjust to his new reality. He still has human memories, however, and Busner, in an attempt to get to the bottom of Simon's obsession, sets out with him in tow to the missing link in the puzzle—a search leading to the heart of Africa and one of the world's few remaining populations of wild humans. Vividly imagined, extraordinarily credible, provocative and entertaining in equal measure—and the detailing of chimp/human behavior allows Self's libidinous, ferociously satirical, scatological zeal to flourish. HoooGraa! (First printing of 30,000; $50,000 ad/promo; author tour)
Pub Date: Sept. 1, 1997
ISBN: 0-8021-1617-5
Page Count: 416
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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