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THIS FAR AND NO FURTHER

PHOTOGRAPHS INSPIRED BY THE VOTING RIGHTS MOVEMENT

Of interest as a visual record of ordinary places now exalted in history and memory.

An earnest photographic exploration of some key loci of the Southern civil rights movement and its aftermath.

“We are a country born of slavery followed by one hundred years of codified legal racism,” writes Nikole Hannah-Jones, creator of the New York Times Magazine’s 1619 Project, in her stirring, too-brief foreword. She lands on a key point: the “ordinariness” of the images by Abranowicz, a commercial and travel photographer. Those photographs sometimes speak volumes, as with the juxtaposition of a literacy test imposed on Black voters in Alabama—one that few college-educated Whites would be able to pass—with a street view of the tiny house where a Mississippi minister working to register the voters once lived until being gunned down by an unknown assassin in 1955. That’s just one instance of the many recorded here of ordinary violence against Black people young and old during the time of Jim Crow and that continues to be inflicted on them today in so many forms—including the near-indentured work of the imprisoned population, an example of which Abranowicz locates in a Birmingham steel mill. The understated narrative arc suggests that, as one section title has it, there is hope for redemption. As Abranowicz notes, commenting on a photograph of a dirt road, Greenwood, Mississippi, was once a cotton center, then a “hotbed of voter-registration activity and protest in the 1960s,” and finally a place where a Black woman was elected mayor in 2006. A few errors creep into the text—e.g., Jefferson Davis was not alive in 1898 to dedicate what is correctly known as the Confederate Memorial Monument—and some of the photos are merely average. The best of them, though, depict people who continue the fight today, such as Florida lawyer Desmond Meade, who advocates against a modern “poll tax” imposed on ex-felons.

Of interest as a visual record of ordinary places now exalted in history and memory.

Pub Date: Feb. 9, 2021

ISBN: 978-1-4773-2174-4

Page Count: 176

Publisher: Univ. of Texas

Review Posted Online: Oct. 7, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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MARK TWAIN

Essential reading for any Twain buff and student of American literature.

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A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.

It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.

Essential reading for any Twain buff and student of American literature.

Pub Date: May 13, 2025

ISBN: 9780525561729

Page Count: 1200

Publisher: Penguin Press

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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