A smart and satisfying archaeological thriller in the vein of Dan Brown.

Travels in Elysium

A Greek archaeological dig holds deep secrets.

At the beginning of Azuski’s (The Rose-Tinted Menagerie, 2012) latest novel, 22-year-old Nicholas Pedrosa is fresh out of college. He’s stuck in a dead-end real estate job in England when he applies for a job on an archaeological dig on the Greek island of Santorini under the direction of the legendary archaeologist Marcus James Huxley. His interview with Huxley’s frosty Russian assistant, Svetlana Bé, goes so poorly that Pedrosa assumes he’s not getting the job—until boat tickets and travel details arrive in the mail. He travels to Greece, intrigued to learn along the way that Huxley’s expedition has uncovered mysterious 5,000-year-old hieroglyphics at the site. Curiosity turns to dread when Pedrosa arrives at Santorini only to find Huxley and his associates attending a funeral—the funeral of Huxley’s previous young assistant. Pedrosa gets a decidedly unfriendly reception from the great man, and he’s promptly confronted with two mysteries—What actually happened to his predecessor? And what happened to all the ancient inhabitants of the city that was buried in a volcanic eruption thousands of years ago on the site of Huxley’s dig? The homes and workplaces of those ancient inhabitants are perfectly preserved, but unlike other famous disaster sites, such as Pompeii, there’s no trace of any people. Azuski knits these plotlines together with considerable skill, contextualizing them within the wider philosophical background of a search for Plato’s mythical lost city of Atlantis and infusing them with plenty of memorable descriptions (“The dawn chorus woke me at five,” Pedrosa says, “Athens’ version of it, that is, cars, trucks, buses, motorbikes racing the clock, chasing the sunrise”). The imperious Huxley and his private agenda dominate the plot, and the baffled, inquisitive Pedrosa eventually becomes a hero to root for as he navigates the various personalities of Huxley’s dig team. Ongoing digressions into Santorini’s distant past jar at first but ultimately reinforce the novel’s taut, well-constructed climax.

A smart and satisfying archaeological thriller in the vein of Dan Brown.

Pub Date: May 1, 2013

ISBN: 978-3952401521

Page Count: 540

Publisher: Iridescent Publishing

Review Posted Online: May 2, 2013

Kirkus Reviews Issue: July 1, 2013

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...


Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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