Always an inventive suspense-writer, Bayer outwits himself here with a fractured, Rube Goldberg-like thriller that pits the cop-hero of his first big seller (Switch, 1984) against an unlikely serial killer. As before, middle-aged NYPD homicide detective Frank Janek proves a most winsome protagonist, valiant yet vulnerable. And as in Blind Side and Pattern Crimes, Bayer starts seductively, with a moving prelude that highlights Janek's humanity as the cop takes his first vacation in ten years, in Venice, and falls in love with a German tourist. Janek's idyll is shattered by a phone call informing him that his beloved goddaughter Jess has been slain- -latest victim of a serial killer wanted by the FBI. Trading on old debts, Janek gets assigned to the case as an FBI adjunct (solid detailing of FBI-NYPD rivalry here); his inspired investigation uncovers dread secrets (e.g., that Jess had joined a sex-club) but also a prime suspect: Jess's therapist, man-hating Beverly Archer. However, while breaking into Archer's home for clues, Janek is near-fatally wounded by one of Beverly's patients, a convicted murderess whose room yields strong evidence of her guilt as the serial killer. So far, so brilliant; this is Bayer at his most suspenseful and resonant—but then the narrative veers into overplotted excess, as Bayer reconstructs the genesis and execution of the killings from Archer's point of view (in a shrill, unconvincing voice), and then from that of the murderess, who turns out to have been programmed by Archer to avenge past shames. And when the narrative returns to Janek, his trapping of Archer involves a ploy so far-fetched and a denouement so poetically just as to defy credulity. So: by turns enthralling and just plain silly—a spirited but strained miscalculation by an author who more often than not has been right on the mark.
Pub Date: July 1, 1991
ISBN: 0-679-40047-8
Page Count: 304
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1991
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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