by William D. Piersen ‧ RELEASE DATE: June 1, 1993
Piersen (History/Fisk University) looks at selected areas of American culture from a perspective that offers an occasional convincing surprise, as he focuses on African traditions and social mechanisms that reached the New World (including the Caribbean and Latin America) with the black slaves. The author has collected folktales and oral traditions from both sides of the Atlantic to explain how blacks came to be dominated by whites—material that, while it may not cast a new light on history, is interesting in itself and gives access into the rationalizing consciousness of the enslaved. Piersen takes a serious, not romantic, view of African royalty: While few African kings and princesses ruled over vast regions or great wealth, ideas of rank and social etiquette were highly developed, and the author suggests that class-conscious slaves were not—as is usually believed—upholding their masters' values but were transmitting African ideas about manner and caste. Satiric song lyrics and the subversive humor of black Americans have often been described as weapons of powerless people too beaten to use force, but Piersen shows that public humiliation and criticism—rather than violence or physical punishment—was a primary method of social control in African societies. He suggests that the original KKK regalia (predating white hoods and sheets) was inspired by the masking traditions of African secret societies. The African origins and influence on southern cooking, Carnival, and the use of herbal medicine seem much less hidden. If Piersen can't consistently provide jolts of new understanding, his compilation of materials remains readable and interesting throughout.
Pub Date: June 1, 1993
ISBN: 0-87023-854-X
Page Count: 288
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1993
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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