CITY OF DJINNS

A YEAR IN DELHI

A charming portrait of the ancient Indian capital of Delhi by a talented young British travel writer. Dalrymple, whose debut book of travel writing, In Xanadu (not reviewed), received much praise, spent a year wandering around the dilapidated city of Delhi uncovering the layers of history found in its architectural and human ruins. With his wife, Olivia Fraser (whose pen-and-ink illustrations help the book along), Dalrymple finds a Delhi that is still trying to overcome the traumas of British colonialism and the partition of 1947, in which most Muslims migrated from India to the newly created Pakistan and many Hindus, expelled from the Punjab, fled to Delhi, creating a new, less sophisticated class of resident. The title refers to the spirits that according to legend have, throughout the ages, watched over the inhabitants of Delhi. At first, Dalrymple finds that much of the old life, including the belief in djinns, seems to have faded; but after some digging, he learns that these old customs are simply hidden and very much alive. Judiciously parceling out strands of Indian history, Dalrymple shows that the unique Delhi ways have always been able to withstand the worst of wars and other calamities. He takes us, in an affable style, through the sprawling city and introduces us to the frugal Punjabi people who now make up the majority of the population, as well as to the remnants of the old colonialists, and then to the fascinating ways of people of the underbelly—the sad, regimented lives of contemporary eunuchs, the tenacity of the squatters, and the timeless world of the many religions that have quietly coexisted for centuries in the chaotic warrens of the indestructible city. Not a heavyweight experience, but this warm look at Delhi is a pleasant starting point for anyone interested in this mysterious city. (16 pages b&w illustrations)

Pub Date: Nov. 17, 1994

ISBN: 0-06-215725-X

Page Count: 352

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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