REIGN IN HELL

Veteran thriller writer Diehl pits scrappy Chicago lawyer Martin Vail against Bible-thumping militia maniacs and Vail's old adversary, psychokiller Aaron Stampler, in a mindless plotboiler that never fails to please. Having succeeded fabulously as a defense attorney (Primal Fear, 1993) and then as a district attorney (Show of Evil, 1995), crusading, street-smart Vail is now promoted to the lofty, politically turbulent office of Illinois State Attorney General. Between passionate trysts with his previous courtroom opponent, Jane Venable, Vail can't keep his paws (speaking of same) off corrupt politicians. Having committed his too-good-to-be-billable talents to the public weal, he effortlessly sends a pack of scalawags to jail using the RICO statute. He then finds himself tapped by US Attorney General Margaret Castaigne to draw up a RICO indictment against General Joshua Engstrom, a right-wing militia commander whose wacko religious order, the Sanctuary, may have been behind a terrorist attack on an Army convoy in Montana. Vail rapidly learns of Engstrom's hatred for his former Army buddy Lawrence Pennington, now President of the United States. Before you can say Ruby Ridge all over again, Diehl tosses in Arnold Stampler, Vail's homicidal former client and nemesis, as a fundamentalist preacher who feigns blindness and spouts marginally comprehensible hate sermons on Engstrom's radio station. From here on, Diehl's forced and foolish story hurtles on at full throttle, never stopping to question itself or the preposterousness of its plot. Vail staggers from one contrived cliffhanger to another until almost everyone is blown up except Stampler and Vail himself, who takes a bullet through his heart but has enough chutzpa to insult the President and thumb his nose at a federal judgeship. What a guy! Fizzy male wish-fulfillment that bulges with Clancyesque histrionics, frothing fundamentalist foment, and more than you want to know about hate groups and RICO indictments. (Literary Guild main selection/Mystery Guild selection; author tour)

Pub Date: Nov. 1, 1997

ISBN: 0-345-41144-7

Page Count: 448

Publisher: Ballantine

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 1997

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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