This weighty (that's poundage, not profundity) miscellanea of the comments of WFB, as Buckley signs himself, spans three years of National Review, and Washington Star syndicated columns plus the occasional piece for Esquire or Redbook. Here are Buckley's thoughts on detente ("I, for one, yearn for the days of the Cold War"), the 1972 presidential campaign (the best defense of the Nixon camp was a vicious offense against McGovern), Watergate ("to remove a President is to remove the sovereign"). Buckley also continues his friendly feud with Galbraith and Schlesinger in these pages, initiates a not so friendly libel suit against Gore Vidal, cheers on sister Priscilla for her slap at Ti-Grace Atkinson, ridicules Germaine Greer (who creamed Buckley in an earlier debate) and from time to time jumps on Jack Anderson. His solutions to the Mideast crisis include annexing Israel and raising the tariff on OPEC oil. There's some flapdoodle about "the lash of black nationalism," several polemics on the fights of unborn fetuses and on-going general hostility toward students ("kids")—those pot-smoking, sexually immoral, liberal bigots who supported McGovern. And so on. Mr. Buckley is an arrogant, facile wit and could be considered a very amusing writer indeed if only one could be certain that no one took him seriously.

Pub Date: Sept. 1, 1975

ISBN: 0399115315

Page Count: 318

Publisher: Putnam

Review Posted Online: Oct. 13, 2011

Kirkus Reviews Issue: Sept. 1, 1975

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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