Echoes aplenty of both Mark Twain and Harper Lee’s To Kill a Mockingbird, but still, a very capably told, quite entertaining...
There’s a lot of charm, and very little structure, to this flavorful tale of life in rural Massachusetts, from the former governor of that state (1991–97) and author of Big Ugly (1999), etc.
The story’s set in 1938, when the five towns of the Swift River Valley in eastern Massachusetts are scheduled to be flooded in order to create a 35-mile-long reservoir (this really happened: the result is the Quabbin Dam). Fifteen-year-old Jamieson Kooby, our narrator, is a de facto orphan who lives with his widowed Grandmother Hardiman, a feisty Yankee who’s “as close to an intellectual, or a bluestocking as … [anybody] in the Valley.” The impending loss of homes and farmlands is particularly galling to Jamieson, a Tom Sawyer–like country boy who does his growing up in the agreeable company of his best pal Caleb Durand, an unusual and abstracted girl named Hannah Corkery who resides at the local “poor farm,” and such interesting neighbors as goodhearted transient Hammy the Hobo and laconic Doc Crocker. Stillwater is actually two novels (one wonders if it’s Weld’s first): an episodic chronicle of country folkways and adolescent adventuring (complete with First Sexual Experience and discovery of the adult world’s hypocrisy), and a very casually plotted melodrama (which doesn’t pick up much steam until the midway point) about the Valley folks’ gritty resistance to the machinations of kickback-taking slimeballs (oily Lawyer Kincaid) and fast-talking defenders of the powers-that-be (smarmy Preacher Moncrieff). Weld does have a potentially terrific dramatic figure in the remote, enigmatic Hannah (who communes regularly with ghosts of the Valley’s former inhabitants), but he doesn’t give her nearly enough to do.
Echoes aplenty of both Mark Twain and Harper Lee’s To Kill a Mockingbird, but still, a very capably told, quite entertaining tale.Pub Date: Jan. 1, 2001
ISBN: 0-7432-0598-7
Page Count: 240
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2001
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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