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THE GRAVE LISTENERS

A creepy and entertaining tale about a misbegotten quest to cheat death.

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Two men vie for the job of detecting people who’ve been buried alive in Frank’s gonzo fantasy tale.

This yarn unfolds in a vaguely Eastern European village where a Grave Listener named Volushka plies his trade: camping out next to fresh graves and listening, by way of a tube poked into a buried coffin, for sounds that indicate that an apparently deceased person has revived. Volushka spends solitary, uneventful days boozing and sleeping in the cemetery, but at night he must fend off the ghosts, witches, and vampires who frequent the area. He’s also vehemently disliked by the local villagers. He’s a large, imposing man with a room-emptying odor and a propensity for nasty jibes: “was she prone to lunatic, farting rampages?” he queries a bereaved family. He’s also regularly beaten by everyone from a brothel proprietor to an old woman at a well to a 5-year-old boy named Benzi with whom he endlessly trades juvenile barbs. Volushka’s life is disrupted when a stranger named Marcabrusa appears and decides to take over his cushy gig. Swayed by the new arrival’s silver tongue, the townsfolk beat Volushka unconscious and give the listening job to Marcabrusa, who promptly unearths nine buried-alive villagers felled by a mysterious epidemic. Volushka repairs to the swampy lair of the Witch of Gore Mal Gore and, after a horrifying sexual encounter, obtains a magic powder that temporarily makes a person appear to be dead. He then hatches a plot to stage a listening showdown between himself and Marcabrusa over the graves of two twin girls.

Frank’s novel has the grotesquerie of a Tim Burton movie, the droll corruption of a Mark Twain story (camouflaged by pompous oratory), and the cheerful brutality of a Punch and Judy show. The characters have few redeeming qualities; Volushka is a loathsome tangle of grandiosity, cowardice, and hypocrisy; he has a conniving intellect, but is also profoundly stupid. However, he’s humanized by his inability to dissemble and scheme just as well as his adversaries. The narrative is certainly over the top, but Frank manages to mine comedic gold in scenes that combine verbal fireworks with clever slapstick. In one hilarious bit, Volushka and Benzi are forced to translate their usual screaming match into silent pantomime beside the bed of two slumbering villagers. For all its farcical elements, the novel also gets at themes of belonging, loneliness, and the paranoia of small, insular groups panicked by superstition and sudden disaster. Frank’s prose is elegant and vivid, but the more pungent details are always at the service of character and meaning, as in a sketch of the witch, who likes Volushka’s looks: “The form of a body slowly emerged from a flickering mist, surrounded by a poisonous corona. A croaking, ancient, hollow voice pulled itself out of a raspy echo and shivered in its loneliness, wroth and infernal grief. ‘You’re a plump one.’ ” The result is an inventive, mordantly funny story with a blighted but yearning soul.

A creepy and entertaining tale about a misbegotten quest to cheat death.

Pub Date: Feb. 12, 2023

ISBN: 9798987782408

Page Count: 144

Publisher: Amazon Digital Services LLC

Review Posted Online: July 20, 2023

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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