A creepy and entertaining tale about a misbegotten quest to cheat death.
Two men vie for the job of detecting people who’ve been buried alive in Frank’s gonzo fantasy tale.
This yarn unfolds in a vaguely Eastern European village where a Grave Listener named Volushka plies his trade: camping out next to fresh graves and listening, by way of a tube poked into a buried coffin, for sounds that indicate that an apparently deceased person has revived. Volushka spends solitary, uneventful days boozing and sleeping in the cemetery, but at night he must fend off the ghosts, witches, and vampires who frequent the area. He’s also vehemently disliked by the local villagers. He’s a large, imposing man with a room-emptying odor and a propensity for nasty jibes: “was she prone to lunatic, farting rampages?” he queries a bereaved family. He’s also regularly beaten by everyone from a brothel proprietor to an old woman at a well to a 5-year-old boy named Benzi with whom he endlessly trades juvenile barbs. Volushka’s life is disrupted when a stranger named Marcabrusa appears and decides to take over his cushy gig. Swayed by the new arrival’s silver tongue, the townsfolk beat Volushka unconscious and give the listening job to Marcabrusa, who promptly unearths nine buried-alive villagers felled by a mysterious epidemic. Volushka repairs to the swampy lair of the Witch of Gore Mal Gore and, after a horrifying sexual encounter, obtains a magic powder that temporarily makes a person appear to be dead. He then hatches a plot to stage a listening showdown between himself and Marcabrusa over the graves of two twin girls.
Frank’s novel has the grotesquerie of a Tim Burton movie, the droll corruption of a Mark Twain story (camouflaged by pompous oratory), and the cheerful brutality of a Punch and Judy show. The characters have few redeeming qualities; Volushka is a loathsome tangle of grandiosity, cowardice, and hypocrisy; he has a conniving intellect, but is also profoundly stupid. However, he’s humanized by his inability to dissemble and scheme just as well as his adversaries. The narrative is certainly over the top, but Frank manages to mine comedic gold in scenes that combine verbal fireworks with clever slapstick. In one hilarious bit, Volushka and Benzi are forced to translate their usual screaming match into silent pantomime beside the bed of two slumbering villagers. For all its farcical elements, the novel also gets at themes of belonging, loneliness, and the paranoia of small, insular groups panicked by superstition and sudden disaster. Frank’s prose is elegant and vivid, but the more pungent details are always at the service of character and meaning, as in a sketch of the witch, who likes Volushka’s looks: “The form of a body slowly emerged from a flickering mist, surrounded by a poisonous corona. A croaking, ancient, hollow voice pulled itself out of a raspy echo and shivered in its loneliness, wroth and infernal grief. ‘You’re a plump one.’ ” The result is an inventive, mordantly funny story with a blighted but yearning soul.
A creepy and entertaining tale about a misbegotten quest to cheat death.Pub Date: Feb. 12, 2023
ISBN: 9798987782408
Page Count: 144
Publisher: Amazon Digital Services LLC
Review Posted Online: July 20, 2023
Review Program: Kirkus Indie
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.
In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.
Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.
Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.Pub Date: April 9, 2024
ISBN: 9781250884251
Page Count: 400
Publisher: Flatiron Books
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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