Italicized flashbacks, stream-of-consciousness interludes, infidelities, prison breaks, murderous revenge, biblical...
A young drifter odysseys through the gothic menagerie that is rural Tennessee in Gay’s (Little Sister Death, 2015, etc.) posthumously published novel.
We meet Billy Edgewater in Memphis in 1955. He’s in his early 20s, recently discharged from the Navy, and on his way home to eastern Tennessee, where his father lies dying. But for Edgewater, “a fugitive of order” who finds—or brings—disaster wherever he goes, this is no straightforward voyage; things just seem to get in the way, and decisions he barely makes have life-altering consequences. He enters a bar, is attacked by a drunk, and then is arrested for it. Hitchhiking, he is wooed by “the comfort of the upholstery” and finds himself carried heinously off course. He gets a ride with a one-armed con man named Roosterfish (perhaps the most delightful character in a novel full of them), with whom he conducts spurious bug exterminations (the poison they spray isn’t poison) and paints barn roofs with “a mixture of cheap re-refined motor oil” that resembles paint but will wash off in the rain. He falls in with the unforgettable Buddy Bradshaw, an “involuntary refugee from the American dream” who looks “like a farm boy’s fantasy of what a cheap gigolo must be.” Throughout, Gay’s midcentury Tennessee is a realm of bad weather and small-town lowlifes, vagrancy laws, and bootleg liquor; every man is a drunk, alternately listless and lustful and violent; every woman is defined by the use she makes (or once made, or will make) of her body. Yet there is humor in this bleakness, and it bubbles up from the same human springs as the cruelty and violence. And readers will be wooed (or perhaps frustrated) by the rich (or overwritten) language characteristic of Southern gothic writers: For example, a river, to Edgewater, seems “some lost highway of the undone, accommodating not wayfarers like themselves but debris and artifacts jettisoned by souls lost upon it, empty gestures of appeasement, offerings to a god not listening anymore.”
Italicized flashbacks, stream-of-consciousness interludes, infidelities, prison breaks, murderous revenge, biblical language, and a deep kinship between the land and its inhabitants—Gay’s novel is full-on Southern gothic and will delight fans of the genre.Pub Date: July 10, 2018
ISBN: 978-1-945814-52-5
Page Count: 368
Publisher: Dzanc
Review Posted Online: April 17, 2018
Kirkus Reviews Issue: May 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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