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KITSUNE MATSURI

THE OPEN GATEWAY

Much like its protagonist, this novel is endearing, sincere and slightly gawky. American Tobias Blackwood has come to Japan...

Johnston’s debut novel is travel narrative, fantasy and coming-of-age saga woven with magic, nobility of spirit and idealized—almost courtly—love.

Much like its protagonist, this novel is endearing, sincere and slightly gawky. American Tobias Blackwood has come to Japan with his new friend John Tell to teach English as part of the Society of English Learners. His adventure gets off to a rocky start, however, when he finds himself halfway up a mountain, bloody and without his glasses, victim of his own clumsiness. His mishaps, however, do have the net positive result of attracting the attention of a mysterious woman named Matsuri. She becomes a friend and helps Tobias as he faces challenges both natural (teaching at a new school in a new country) and supernatural (fending off hungry demons and dealing with drunken tanuki: “They look like raccoons, but they resemble a badger or wild dog more than a raccoon—kind of cute but really shifty”). Tobias’ biggest challenge, though, is neither demon, tanuki nor kitsune; it’s his feelings for Michiko Yamasaki, his translator and classroom aide. Luckily, Tobias has his friends—and the kind support of his wise hosts, Jomei and Aoki Yoshida—to help him navigate all the unexpected experiences Japan has to offer him. In fact, the character relationships are one of the greatest strengths of this story, the other being the clear love of Japan and the attention to cultural detail woven throughout. Many lines of dialogue are even written in Romanized Japanese—with footnotes. Unfortunately, this can distract from the flow of the story, as readers have to refer to the bottoms of the pages, often several times on a single page, to follow the narrative. The dialogue also has a heightened, old-fashioned feel, which can sometimes read as stilted: “Enough talk of work. Tobias-san, would you like to start us off on the karaoke?” Nevertheless, that doesn’t stop characters from being engaging. Tobias’ adventures are fairly straightforward, although the way they tend to alternate between real-world and supernatural problems can make the narrative feel a bit like a car stuck between two gears.

Pub Date: April 12, 2012

ISBN: 978-1499359688

Page Count: 184

Publisher: CreateSpace

Review Posted Online: Sept. 29, 2014

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BERRY MAGIC

Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)

Pub Date: June 1, 2004

ISBN: 0-88240-575-6

Page Count: 32

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2004

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IN THE SKY AT NIGHTTIME

A tender bedtime tale set in a too-seldom-seen northern world.

A quiet book for putting young children to bed in a state of snowy wonder.

The magic of the north comes alive in a picture book featuring Inuit characters. In the sky at nighttime, snow falls fast. / … / In the sky at nighttime, a raven roosts atop a tall building. / … / In the sky at nighttime, a mother’s delicate song to her child arises like a gentle breeze.” With the repetition of the simple, titular refrain, the author envisions what happens in a small town at night: Young children see their breath in the cold; a hunter returns on his snowmobile; the stars dazzle in the night sky. A young mother rocks her baby to sleep with a song and puts the tot down with a trio of stuffed animals: hare, polar bear, seal. The picture book evokes a feeling of peace as the street lamps, northern lights, and moon illuminate the snow. The illustrations are noteworthy for the way they meld the old world with what it looks like to be a modern Indigenous person: A sled dog and fur-lined parkas combine easily with the frame houses, a pickup truck, power lines, and mobile-hung crib. By introducing Indigenous characters in an unremarkably familiar setting, the book reaches children who don’t always see themselves in an everyday context.

A tender bedtime tale set in a too-seldom-seen northern world. (Picture book. 3-5)

Pub Date: Oct. 1, 2019

ISBN: 978-1-77227-238-3

Page Count: 36

Publisher: Inhabit Media

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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