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UPDIKE

AMERICA’S MAN OF LETTERS

Above all, this book should help those who haven’t read all of Updike’s work recognize his extraordinary ability and...

This appreciation of John Updike’s 40-year literary career is remarkable for its concise, critical assessments of nearly every one of the writer’s 48 books.

Updike, next to Joyce Carol Oates, is probably our most prolific major living writer. He is still best-known for the tetralogy of novels chronicling the life of former high-school basketball star Harry Angstrom, which include Rabbit, Run; Rabbit Redux; Rabbit Is Rich; and Rabbit at Rest. Of these, only Rabbit, Run is widely taught at universities. Pritchard (Talking Back to Emily Dickinson, 1998) believes the academic and general public’s neglect of Updike’s collected works derives in part from a lack of identification with Updike’s self-proclaimed Pennsylvanian point of view and a lack of affinity with his middle-class treatment of strong social issues (such as religion, politics, and sex). As diverse as the American reading public is, this doesn’t seem awry, but Pritchard strives to demonstrate how the value of Updike’s work rests as much on the elasticity and consistently high quality of the writing as on Updike’s ability to ape the raw events of his own life and times and transform them into raw material for his fiction. Pritchard assesses three or four books per chapter, moving chronologically from The Carpentered Hen (Updike’s first) to Gertrude and Claudius (his latest). Though the assessment of Updike’s realistic “documentary” novels takes up the bulk of the book, a distinct chapter is given over to what Pritchard calls “extravagant fictions” (the novels The Coup, The Witches of Eastwick, Roger’s Version, and S), as well as one chapter for Updike’s life as a critic and reviewer, and another for his poetry and memoir. Only Updike’s forays into art criticism, sports commentary, and playwriting are overlooked.

Above all, this book should help those who haven’t read all of Updike’s work recognize his extraordinary ability and understand his unique contribution to 20th-century American literature.

Pub Date: Sept. 25, 2000

ISBN: 1-58642-002-X

Page Count: 326

Publisher: Steerforth

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2000

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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