A sprawling salute to an awe-inspiring, world-class actor.
Film biographer/historian Mann (Edge of Midnight, 2005, etc.) considers the vibrant life of a 20th-century icon with encyclopedic scrutiny and a pinch of whimsy.
While the author states that he considers himself a fascinated bystander rather than a Hepburn fan, this engaging, comprehensive biography certainly gives the impression that he is quite enamored of the celebrated actress (1907–2003) who was immortalized in Mary of Scotland, Bringing Up Baby, The Philadelphia Story, The African Queen and dozens of other cinematic classics. Mann never interviewed Hepburn herself, but canvassed a bevy of directors, close friends and intimate acquaintances for their perspectives, in addition to utilizing his subject’s newly available private documents. “I don’t want to rehash the familiar,” writes the author, who throws chronological logic to the wind and opts for a more textured approach. In his depiction, the fearless, eccentric actress eschewed classic Hollywood movie-star norms and tacitly challenged social, sexual and gender standards. An Oscar-winner at 26 (for Morning Glory), Hepburn nonetheless had an image problem; Mann’s examination reveals a proud, private woman who throughout the early 1930s dared to continuously don trousers while never managing to completely embody the mass media’s manufactured image of her. The author also takes risks, acknowledging the frequent speculations about Hepburn’s lesbianism and the sexual ambiguity of her wide yet closely knit inner circle of friends. Mann, who’s written several books about gay Hollywood (Behind the Screen, 2001, etc.), avoids labeling the actress and does justice to her odd marriage to Ludlow Ogden Smith. Mann recounts the untold stories of Hepburn’s life: her intrepid ascent from persnickety tomboy in Hartford, Conn., to performance royalty; her drinking; her loyalty to friends like lifelong confidante (and rumored lover) Laura Harding, among many others; and the ardent, transcendent affection she held for Spencer Tracy. Tapping into a wellspring of sources, the author has managed to reanimate with great skill and dexterity this shrewd, sophisticated woman.
A sprawling salute to an awe-inspiring, world-class actor.Pub Date: Oct. 3, 2006
ISBN: 0-8050-7625-5
Page Count: 608
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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