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THE TURNING POINT

ONLY A LITTLE INTO THE FUTURE

An often-entertaining adventure story about fighting back and settling scores.

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In Blackwood’s thriller, the target of a worldwide sex-trafficking ring and her two new allies aim to turn the tables on their pursuers and spark a worldwide revolution.

At first, Judy Ruono seems to be a guileless 20-something, while the seemingly omnipotent Foundation is portrayed as a many-tentacled organization that enslaves young women as part of their plans to blackmail powerful figures around the world. However, it soon becomes clear that the Foundation isn’t the unassailable juggernaut it seems to be, and that Judy’s no pushover. Although she’s initially fooled by the Foundation’s promises of an overseas acting gig, it isn’t long before she begins to unravel the awful truth about “Panomnes Productions” and the “Gartfoil Agency.” She’s helped in this endeavor by a couple of new acquaintances with whom she bonds after surviving a murder attempt: former lawyer James Torquil Graham and his friend Roddy, both from Scotland. The trio are undeniably brave and resourceful, but they aren’t superheroes; Blackwood pointedly renders them as ordinary folks. Indeed, they effectively embody one of the novel’s central themes: that ordinary people can be powerful when push comes to shove. This is developed further when Judy moves beyond the goal of her own liberation and sets out to champion other victims of the wealthy Foundation. In many ways, Blackwood delivers a revenge fantasy that feels well suited to the present day, despite its future setting. It’s too often bogged down by unwieldy lines, however, as in this late sketch of a major villain: “He had an air that denied any possibility of reform, but only of stunned acceptance for a while with the pretence of cooperation with humanity before, in time, another means might present itself for taking revenge on society for whatever were its faults in his eyes.” Still, the adventure remains engaging, largely due to the lively interplay between Judy, James, and Roddy, and the triumphant glee they find in taking on corrupt and dangerous institutions.

An often-entertaining adventure story about fighting back and settling scores.

Pub Date: Nov. 28, 2024

ISBN: 9781805141112

Page Count: -

Publisher: Troubador Publishers

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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NOW OR NEVER

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.

The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.

As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.

Pub Date: Nov. 5, 2024

ISBN: 9781668003138

Page Count: 320

Publisher: Atria

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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