Velveteen Rabbit and Toy Story meet Phantom of the Opera. For better or worse.

OLLIE'S ODYSSEY

A cloth “teddy rabbit” and his beloved boy rescue one another from a toy clown gone bad.

Loading his latest plushy epic with precious observations—“In the realm of toys being favorited was a special distinction. It was as yum as it got”—and pop-culture references, Joyce pits 6 ½–year-old Billy and his homemade companion Ollie against Zozo, a wooden carnival clown whose love for a ballerina doll named Nina has, after years of separation and physical neglect, transmogrified into hatred for all toys that are beloved of humans. When Zozo’s army of Creeps (“stunted, scroungy creatures” made from bits of trash) “toynap” Ollie, Billy sets out with his lightsaber and some snacks to rescue him. When the Creeps capture the little white boy, though, the roles reverse. With a band of recruits and inspired by a broken typewriter’s “Damn t e torpedoes, full speed a ead,” Ollie returns to subterranean Dark Carnival Place for a brisk dust-up with the baddies. The narrative is printed on artificially age-stained paper and punctuated with large illustrations—of toys loved to shabbiness and genuinely sinister adversaries—that add golden-toned atmosphere to the “huge a-venture.” In the end, the message is no different from countless of its sentimental ilk: “It didn’t matter if something was pretend or real; if it was remembered, then it was true.”

Velveteen Rabbit and Toy Story meet Phantom of the Opera. For better or worse. (Fantasy. 10-13)

Pub Date: April 12, 2016

ISBN: 978-1-4424-7355-3

Page Count: 304

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: March 2, 2016

Kirkus Reviews Issue: March 15, 2016

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Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 20, 2012

Kirkus Reviews Issue: July 15, 2012

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Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 13, 2013

Kirkus Reviews Issue: April 15, 2013

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