As ever, the force of nostalgia is strong; the force of narrative, not so much.

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JACK FROST

From the Guardians of Childhood series

The tale of the only Guardian of Childhood to be a child himself turns out to be hinged on battles and transformations.

With flights of baroque fancy in both language and art, the story opens with Nightlight, oath-bound protector of the rotund lad who would become the Man in the Moon, locked in “fierce and valiant” battle with would-be kidnapper Pitch, the Nightmare King. The long, recuperative sleep that follows changes Nightlight to Jackson Overland Frost—a wild, lonely spirit who wanders the Earth spreading winter until the rescue of a family of errant children gives him fresh purpose: to protect not just one child, but all of them, “For they are all that I have, all that I am, / And all that I will ever be.” An elfin, slender figure in tight trousers and a stylish hoodie, his tousled silver locks in definite need of a trim or at least a comb, Jack seems to have stepped from some manga to pose theatrically amid late-autumnal sprays of mist and dramatic, cloudy curlicues. Nonetheless, the children’s elegant, Edwardian dress and references to a lost Golden Age in the mannered narrative intensify the retro atmosphere common to this series.

As ever, the force of nostalgia is strong; the force of narrative, not so much. (Picture book. 6-8)

Pub Date: Oct. 27, 2015

ISBN: 978-1-4424-3043-3

Page Count: 48

Publisher: Atheneum

Review Posted Online: July 27, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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Patchy work, both visually and teleologically.

YOU'RE HERE FOR A REASON

The sultana of high-fructose sentimentality reminds readers that they really are all that.

Despite the title, we’re actually here for a couple of reasons. In fulsome if vague language Tillman embeds one message, that acts of kindness “may triple for days… / or set things in motion in different ways,” in a conceptually separate proposition that she summarizes thus: “perhaps you forgot— / a piece of the world that is precious and dear / would surely be missing if you weren’t here.” Her illustrations elaborate on both themes in equally abstract terms: a lad releases a red kite that ends up a sled for fox kits, while its ribbons add decorative touches to bird nests and a moose before finally being vigorously twirled by a girl and (startlingly) a pair of rearing tigers. Without transition the focus then shifts as the kite is abruptly replaced by a red ball. Both embodied metaphors, plus children and animals, gather at the end for a closing circle dance. The illustrator lavishes attention throughout on figures of children and wild animals, which are depicted with such microscopically precise realism that every fine hair and feather is visible, but she then floats them slightly above hazy, generic backdrops. The overall design likewise has a slapdash feel, as some spreads look relatively crowded with verses while others bear only a single line or phrase.

Patchy work, both visually and teleologically. (Picture book. 6-8)

Pub Date: Sept. 1, 2015

ISBN: 978-1-250-05626-9

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: June 23, 2015

Kirkus Reviews Issue: July 15, 2015

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