An intriguing sidelight on the effects of climate change.
A panoramic overview of the wide-ranging social and political effects of a climatic catastrophe.
Historian William Klingaman (Abraham Lincoln and the Road to Emancipation, 2001, etc.) and meteorologist Nicholas P. Klingaman join forces to document the atmospheric pollution from the massive eruption of an Indonesian volcano, Mount Tambora, in 1815. Black ash spread over nearby villages, and a cloud of sulfuric acid first moved over the Indian subcontinent and China and then spread to North America and Europe the following year, with disastrous consequences. Abnormally cold temperatures, respiratory problems, disease and crop failure followed in its wake. The authors begin their detailed account of the volcano in the winter of 1815–1816 as the aerosol cloud cooled temperatures in the Northern Hemisphere. The consequences were devastating because of crop damage and ensuing famine, most notably in Ireland but also in France and England and, to a lesser degree, on the Eastern Seaboard in America. Heavy snows in winter were followed by unusually volatile weather that affected crops adversely; a cold summer with barely any sunlight was worse. European grain stores were already depleted as a result of the Napoleonic wars, and commerce was disrupted by the transition from a war economy to peacetime. The Klingamans document the famine and social unrest that followed over the following year. At the same time, many lives were relatively untouched by the calamity—not only monarchs and the politicians who wrestled with problems of poor relief, but also Jane Austen and poets such as Byron and Shelley. One long-term result of the volcanic eruption was the increase in emigration to the U.S. and of more marginal American farmers westward.
An intriguing sidelight on the effects of climate change.Pub Date: Feb. 26, 2013
ISBN: 978-0-312-67645-2
Page Count: 352
Publisher: St. Martin's
Review Posted Online: Oct. 7, 2012
Kirkus Reviews Issue: Nov. 1, 2012
HISTORY | NATURE | MODERN | GENERAL HISTORY
BOOK REVIEW
BOOK REVIEW
A zesty, energetic history, not only of a building, but of more than a century of American culture.
A revealing biography of the fabled Manhattan hotel, in which generations of artists and writers found a haven.
Turn-of-the century New York did not lack either hotels or apartment buildings, writes Tippins (February House: The Story of W. H. Auden, Carson McCullers, Jane and Paul Bowles, Benjamin Britten, and Gypsy Rose Lee, Under One Roof In Wartime America, 2005). But the Chelsea Hotel, from its very inception, was different. Architect Philip Hubert intended the elegantly designed Chelsea Association Building to reflect the utopian ideals of Charles Fourier, offering every amenity conducive to cooperative living: public spaces and gardens, a dining room, artists’ studios, and 80 apartments suitable for an economically diverse population of single workers, young couples, small families and wealthy residents who otherwise might choose to live in a private brownstone. Hubert especially wanted to attract creative types and made sure the building’s walls were extra thick so that each apartment was quiet enough for concentration. William Dean Howells, Edgar Lee Masters and artist John Sloan were early residents. Their friends (Mark Twain, for one) greeted one another in eight-foot-wide hallways intended for conversations. In its early years, the Chelsea quickly became legendary. By the 1930s, though, financial straits resulted in a “down-at-heel, bohemian atmosphere.” Later, with hard-drinking residents like Dylan Thomas and Brendan Behan, the ambience could be raucous. Arthur Miller scorned his free-wheeling, drug-taking, boozy neighbors, admitting, though, that the “great advantage” to living there “was that no one gave a damn what anyone else chose to do sexually.” No one passed judgment on creativity, either. But the art was not what made the Chelsea famous; its residents did. Allen Ginsberg, Bob Dylan, Andy Warhol, Janis Joplin, Leonard Cohen, Robert Mapplethorpe, Phil Ochs and Sid Vicious are only a few of the figures populating this entertaining book.
A zesty, energetic history, not only of a building, but of more than a century of American culture.Pub Date: Dec. 3, 2013
ISBN: 978-0-618-72634-9
Page Count: 448
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 18, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
From veteran British popular historian Johnson, an overly exhaustive account of the vigorous and violent growth of several small British colonies into the modern American nation. Although Johnson (The Birth of the Modern, 1991, etc.) purports to present the history of the "American people," his account has an undeniably British orientation; No details can be found here of the cultures of pre-European inhabitants of North America or the history of areas not originally settled by British colonists, such as Louisiana or the Southwest. Johnson divides his account into eight periods, of which some dates seem dubious (one might question dating America's career as a superpower to 1929, the first year of the Great Depression). More troubling, though understandable in a book of this encyclopedic scope, are the author's omissions and occasionally provocative assertions. In his account of the Civil War period, for instance, Johnson fails to discuss the militarily significant Western War, and he asserts, contrary to most accounts and without much apparent authority, that Abraham Lincoln didn't love his wife and didn't like Secretary of State Seward. Johnson traces not only the military, but also the political, social, and cultural history of America. He treats such disparate topics as the poetry of Walt Whitman, the developing role of women in American society, the growth of vast business combinations in the early 20th century, immigration and urbanization, the Vietnam War, and the 1973-74 "putsch against the Executive" (which is what Johnson calls the Watergate scandal). He editorializes on virtually every subject, sometimes controversially. Noting the many problems faced by modern America, Johnson concludes nonetheless that "the story of America is essentially one of difficulties being overcome by intelligence and skill, by faith and strength of purpose, by courage and persistence." A vast tour-de-force of research and writing. Nonetheless, Johnson tries to do too much here, and the overall result is as much of a labor to read as it must have been to write.
Pub Date: March 1, 1998
ISBN: 0-06-016836-6
Page Count: 944
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1997
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
