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RIDING THE YELLOW TROLLEY CAR

From Pulitzer-winning novelist Kennedy (Very Old Bones, 1992, etc.), over 80 articles, reviews, interviews, and miscellaneous pieces—``a chorale of my own assumed voices.'' Before, during, and after halting (but ultimately successful) attempts to find his fictional voice, Kennedy plowed the fields of nonfiction as a reporter, book critic, and pop-culture fan. These pieces have been culled from nearly 40 years of this work, ranging from a 1954 tongue-in-cheek obit of Langford, a ``Widely Known Albany Cat,'' to a 1992 tribute to childhood idol Damon Runyon. The quality here ranges as widely as the time span. A few segments might have been better left out (notably those dealing with his wife's hiccups and Diane Sawyer's blond beauty); and the early journalism, though highly competent, bears marks of being written on the fly and lacks the lyricism that makes Kennedy's ``Albany cycle'' of novels soar. Meanwhile, the literary reviews and interviews reveal the author's heroes and mentors (Ernest Hemingway, Saul Bellow, John Steinbeck, Robert Penn Warren, John O'Hara, and E.L. Doctorow), as well as his fascination with Latin American writers (an interview with Gabriel Garc°a M†rquez became the first biographical report on the writer in both the US and Britain). Appreciations of Frank Sinatra, Louis Armstrong, and jazz pianist Joey Bolden are warm and charming fan's notes but seldom incisive. Aficionados will be most interested in Kennedy's accounts of his first stab at short-story writing; of his relatives (including an uncle who served as a partial model for Francis Phelan); Ironweed's astonishing rejection by 13 publishers; two brief encounters with Hollywood as a screenwriter; and, of course, the hardscrabble, raffish Irish-Catholic Albany milieu that the author has re-created as lovingly as Joyce's Dublin or Faulkner's Yoknapatawpha County. Not Kennedy in his best, heart-stirring fictional mode—but often funny, charming, and certainly indicative of the subterranean personal and literary roots that bore glorious fruit in his novels.

Pub Date: May 1, 1993

ISBN: 0-670-84211-7

Page Count: 512

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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