An often engaging account of a dispiriting real-life story with plenty of historical heft and contemporary relevance.
Kinsolving presents a historical novel based on what newspapers of the 1920s termed the “Rhinelander Affair”: a love story that turned into a salacious scandal and courtroom battle.
Twenty-something Alice Jones meets 18-year-old Leonard Kip Rhinelander in 1921. She’s one of three daughters of a couple who emigrated from England. Her father, George Jones, was the son of a West Indian sailor and a white English tavern owner; her white mother, Elizabeth, was a kitchen maid in a grand British estate. In 1891, the couple moved to New York. Now, 30 years later, Alice is walking down Pelham Road in New Rochelle when Leonard drives by in his new Oldsmobile convertible. Momentarily distracted by her, Leonard can’t stop his car quickly enough and bumps into a police car parked by the curb. Impulsively, Alice tells Sgt. Kelly that she saw what happened, and that the tall, gangly driver wasn’t speeding. Leonard, the young scion of New York’s top-tier Rhinelander family, gratefully offers her a ride. By the time he drops her home, four hours later, they’re smitten with each other. Within a few months, Leonard’s father, Philip, learns of their relationship, and he aims to torpedo their romance, sending Leonard to places far and wide for the next two years—but he can’t prevent them from writing voluminous letters to each other. An uncomfortably generous portion of the novel is devoted to the steamy contents of Alice’s letters to her beau: “you always knew that I love to be in your loving arms and hold your warm lips to mine. I knew many times, Len, dear, how I have made you feel very happy.” The letters are made public in a 1925 trial in which Philip forces his son to sue Alice for annulment of their secret 1924 marriage. The trial plays out in disturbingly lurid detail, vividly illustrating the implicit and explicit misogyny and racism of the period. Alice’s older sister, Emily Jones Brooks, serves as a knowledgeable narrator for Kinsolving’s fictionalized version of the real-life drama.
An often engaging account of a dispiriting real-life story with plenty of historical heft and contemporary relevance.Pub Date: May 1, 2026
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: April 6, 2026
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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