For general readers, the esoteric minutia may overwhelm. For naturalists and butterfly buffs, however, this is an unusual,...
by William Leach ‧ RELEASE DATE: April 23, 2013
An expansive historical account of the 19th-century figures whose enthusiasm and perseverance shaped natural history studies on butterflies.
Leach (History/Columbia Univ.; Country of Exiles: The Destruction of Place in American Life, 1999, etc.) meticulously examines butterfly collecting, once a pastime enjoyed across social strata and once viewed as a means for bridging art and science. He presents an appealing if controversial view of collecting as a direct appreciation of and engagement with nature’s beauty, while also acknowledging that it sometimes turned into a competitive expression of man’s dominion, resulting in harsh consequences and strife in relationships between collectors. Through portraits of William Henry Edwards (a West Virginian entomologist known for his voyage to the Amazon), Herman Strecker (a collector, author and illustrator), Augustus Grote (director of the Buffalo Museum of Natural Sciences), William Doherty (entomologist and tropical collector), Samuel Scudder (entomologist and paleontologist) and William Holland (director of the Carnegie Museum of Natural History in Pittsburgh), Leach details conflicts in the field during the mid- to late-1800s, including concerns over the destruction of natural resources; the ethics of killing, selling and trading butterflies; debates on systematics, taxonomy, naming and considerations of butterfly habitats; creationist vs. Darwinist views; and the line between advancement of science and selfish amassment. The book’s closing chapters on dealings between butterfly men in the Gilded Age is especially fascinating.
For general readers, the esoteric minutia may overwhelm. For naturalists and butterfly buffs, however, this is an unusual, pinpointed slice of American life enlivened with fragments of correspondence and reproductions of plates from classic books of the period.Pub Date: April 23, 2013
ISBN: 978-0375422935
Page Count: 416
Publisher: Pantheon
Review Posted Online: Jan. 19, 2013
Kirkus Reviews Issue: Feb. 1, 2013
Categories: NATURE | SCIENCE & TECHNOLOGY
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by Lulu Miller illustrated by Kate Samworth ‧ RELEASE DATE: April 14, 2020
A Peabody Award–winning NPR science reporter chronicles the life of a turn-of-the-century scientist and how her quest led to significant revelations about the meaning of order, chaos, and her own existence.
Miller began doing research on David Starr Jordan (1851-1931) to understand how he had managed to carry on after the 1906 San Francisco earthquake destroyed his work. A taxonomist who is credited with discovering “a full fifth of fish known to man in his day,” Jordan had amassed an unparalleled collection of ichthyological specimens. Gathering up all the fish he could save, Jordan sewed the nameplates that had been on the destroyed jars directly onto the fish. His perseverance intrigued the author, who also discusses the struggles she underwent after her affair with a woman ended a heterosexual relationship. Born into an upstate New York farm family, Jordan attended Cornell and then became an itinerant scholar and field researcher until he landed at Indiana University, where his first ichthyological collection was destroyed by lightning. In between this catastrophe and others involving family members’ deaths, he reconstructed his collection. Later, he was appointed as the founding president of Stanford, where he evolved into a Machiavellian figure who trampled on colleagues and sang the praises of eugenics. Miller concludes that Jordan displayed the characteristics of someone who relied on “positive illusions” to rebound from disaster and that his stand on eugenics came from a belief in “a divine hierarchy from bacteria to humans that point[ed]…toward better.” Considering recent research that negates biological hierarchies, the author then suggests that Jordan’s beloved taxonomic category—fish—does not exist. Part biography, part science report, and part meditation on how the chaos that caused Miller’s existential misery could also bring self-acceptance and a loving wife, this unique book is an ingenious celebration of diversity and the mysterious order that underlies all existence.
A quirky wonder of a book.Pub Date: April 14, 2020
ISBN: 978-1-5011-6027-1
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: Jan. 1, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | NATURE | SCIENCE & TECHNOLOGY
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by Patrik Svensson translated by Agnes Broomé ‧ RELEASE DATE: May 5, 2020
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
Categories: NATURE | BIOGRAPHY & MEMOIR | SURVIVORS & ADVENTURERS | GENERAL BIOGRAPHY & MEMOIR
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