by William Manchester and Paul Reid ‧ RELEASE DATE: Nov. 6, 2012
Essential for Manchester collectors, WWII buffs and Churchill completists.
A (very) posthumous study of the late, great British leader by the late, great popular historian, aided by journalist Reid.
Just before Manchester (A World Lit Only by Fire: The Medieval Mind and the Renaissance—Portrait of an Age, 1992, etc.) died in 2004, he handed over the task of finishing his Churchill biography to Reid, who retains Manchester’s habit of writing at extreme length, and it’s clear where Manchester left off in his own primary research: Though the book spans the years 1940 to Churchill’s death in 1965, roughly only one-tenth of it covers the “lion’s” last 20 years, while the vast bulk is given over—fittingly enough—to Churchill’s leadership as British prime minister during World War II. The documentation would not pass a professional historian’s muster, but Manchester never wrote for historians, and general readers, as always, will be taken by his boundless abilities as a storyteller. Manchester also saw patterns that may not have been apparent to most other writers. Whereas Hitler was famously known as an artist manqué, Churchill “came at every issue with a painter’s eye,” whether developing a battle plan for the invasion of Italy or “parsing geopolitical matters such as continental hegemony.” The great-man theory of history, too, may be passé in academia, but Manchester/Reid gladly subscribe to it, with an account of the friendship of Churchill and Franklin Roosevelt (and rivalry with Josef Stalin) that is both searching and unsentimental. The authors clearly admire Churchill, for reasons that they make evident throughout, but there is little in the way of hero worship. Indeed, their critical account of Operation Torch—which Dwight Eisenhower exaggeratedly called “the blackest day in history”—is thorough and convincing, and it does not reflect well on the cigar-chomping PM. The manuscript is replete with Manchester’s journalistic flourishes, some of which cross into cliché, and it’s as much a monument to the author as to its subject.
Essential for Manchester collectors, WWII buffs and Churchill completists.Pub Date: Nov. 6, 2012
ISBN: 978-0-316-54770-3
Page Count: 1232
Publisher: Little, Brown
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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