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CRAZY

Readers aren’t likely to buy it. Our suggestion: Skim this one if you must, then pop some corn and watch the film version of...

Nostalgia, sentimentality and irreverent comedy redeem a paper-thin plot in this latest from the veteran author of The Exorcist and later fiction (Dimiter, 2010, etc.).

It’s a monologue performed (as if in a standup routine) by a retired octogenarian Hollywood screenwriter, Peruvian-American Joey El Bueno. While politely deflecting his Bellevue Hospital Nurse Bloor’s request for his evaluation of her screenplay idea (about Nazi scientists and Hitler’s preserved brain), Joey reminisces about his boyhood in New York City circa 1941, as a reluctant Catholic middle-school student, a devourer of pulp fiction and virtually every movie ever made and the accidental friend of a beautiful, eccentric older girl named Jane Bent, who attaches herself to him, becomes his self-appointed mentor and reappears mysteriously as herself and in other guises throughout Joey’s youth. Though we are made privy to his adventures with Jane, none of Joey’s schoolmates or buddies will even acknowledge her existence. The resulting mystery possesses and enriches Joey’s imagination, as he grows regretfully away from his almost saintly “Pop,” a long-widowed pushcart vendor, and into something quite like adulthood. Major problems: Jane disappears from the novel for many pages at a time; Joey/Blatty can’t seem to distinguish a good gag from a groaner; and the eventually revealed identity of Joey’s mystery girl/woman is a clumsy letdown that few readers will fail to see coming. Nevertheless, there are charmingly funny evocations of the 1939 New York World’s Fair and a revelatory day spent at Coney Island’s Luna Park. One appreciates the cameo appearance made by a Boy Scout troop leader who moonlights as a numbers runner—not to mention the schoolteacher nun who assigns an essay on the topic “Why St. Francis of Assisi Talked to Birds But Not Fish.” But Blatty stacks the deck with forced emphases on the figure of Jane (“There was this aura about her, something spiritual; ethereal, really.”).

Readers aren’t likely to buy it. Our suggestion: Skim this one if you must, then pop some corn and watch the film version of The Exorcist again.

Pub Date: Nov. 9, 2010

ISBN: 978-0-7653-2649-2

Page Count: 208

Publisher: Forge

Review Posted Online: Aug. 23, 2010

Kirkus Reviews Issue: Sept. 15, 2010

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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