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SIMON'S MANSION

An engrossing saga of a gay man dealing with the sins of a lurid past while moving assuredly into the future.

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The eventful life of a troubled young gay man comes full circle in this third installment of a series.  

The adventures of resilient protagonist Simon Powell continue in this novel, which charts his post-rehab existence after years of melodrama. He escaped a conservative upbringing and involvement with the Unification Church as a teenager, then intensive drug use with shady acquaintances in Southern California. Finally fed up with his string of bad luck coupled with years of poor life choices, Simon finishes a stint in rehab, then retreats to his birthplace of Sibley, Arkansas, and his family’s pre-Civil War timber mansion. Eager to recharge and reboot his life and start anew, he finds himself surrounded by ghosts of the past. Painful memories of his dead father’s judgmental criticism merge with childhood stories, all clouding Simon’s mind as he and his Los Angeles boyfriend, Thad (also fresh from a drug dependency program), begin moving into the mansion. As things progress and Simon settles into his new life with Thad, efforts are made to repair deep-rooted Southern familial ties previously severed by assumptions, misunderstandings, and anti-Christian lifestyle choices. A family reunion attended by Simon and his mother opens old wounds, but an offer to permanently remain at the mansion to resume marketing films and dabbling in his art endeavors takes him by surprise and seems like a solid plan. Eager to focus on his own work, Thad returns to LA to continue collaborating with an adult film producer, but Simon has reservations about his departure. As the lure of sinister influences begins to tempt Thad in California, Simon must deal with his mother’s failing health and, later, the sudden disappearance of his lover after some vengeful Spaniards from their past make their presence known. Poe (Endings, 2015, etc.) begins the story with flashbacks, sketching in the details of Simon’s checkered history. This narrative touch will familiarize uninitiated readers with the series and provide an appropriate amount of plot refreshing for loyal followers of Simon’s gritty, fraught journey. The author writes with more certainty and ease than he’s exhibited in previous volumes, though his impeccable sense of place remains solid throughout. The tale’s narrative moves from past to present seamlessly, laying out Simon’s situation candidly and without hesitation or overt exposition, which paves the way for plenty of melodrama and family tension. Though he’s come home to heal, there’s no denying that Simon’s problems have followed him to his hometown and still darken his days. This inability to resolve his issues may become wearisome to readers hoping that Simon will find some happiness after so many bleak periods of addiction. Alternately, for readers familiar with the series, Simon’s continual struggle with forgiveness, recovery, intimate relationships, and the momentum of his life is what gives Poe’s books their moxie.

An engrossing saga of a gay man dealing with the sins of a lurid past while moving assuredly into the future.

Pub Date: N/A

ISBN: 978-1-72907-843-3

Page Count: 287

Publisher: Time Tunnel Media

Review Posted Online: Sept. 11, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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