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SIMON'S MANSION

An engrossing saga of a gay man dealing with the sins of a lurid past while moving assuredly into the future.

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The eventful life of a troubled young gay man comes full circle in this third installment of a series.  

The adventures of resilient protagonist Simon Powell continue in this novel, which charts his post-rehab existence after years of melodrama. He escaped a conservative upbringing and involvement with the Unification Church as a teenager, then intensive drug use with shady acquaintances in Southern California. Finally fed up with his string of bad luck coupled with years of poor life choices, Simon finishes a stint in rehab, then retreats to his birthplace of Sibley, Arkansas, and his family’s pre-Civil War timber mansion. Eager to recharge and reboot his life and start anew, he finds himself surrounded by ghosts of the past. Painful memories of his dead father’s judgmental criticism merge with childhood stories, all clouding Simon’s mind as he and his Los Angeles boyfriend, Thad (also fresh from a drug dependency program), begin moving into the mansion. As things progress and Simon settles into his new life with Thad, efforts are made to repair deep-rooted Southern familial ties previously severed by assumptions, misunderstandings, and anti-Christian lifestyle choices. A family reunion attended by Simon and his mother opens old wounds, but an offer to permanently remain at the mansion to resume marketing films and dabbling in his art endeavors takes him by surprise and seems like a solid plan. Eager to focus on his own work, Thad returns to LA to continue collaborating with an adult film producer, but Simon has reservations about his departure. As the lure of sinister influences begins to tempt Thad in California, Simon must deal with his mother’s failing health and, later, the sudden disappearance of his lover after some vengeful Spaniards from their past make their presence known. Poe (Endings, 2015, etc.) begins the story with flashbacks, sketching in the details of Simon’s checkered history. This narrative touch will familiarize uninitiated readers with the series and provide an appropriate amount of plot refreshing for loyal followers of Simon’s gritty, fraught journey. The author writes with more certainty and ease than he’s exhibited in previous volumes, though his impeccable sense of place remains solid throughout. The tale’s narrative moves from past to present seamlessly, laying out Simon’s situation candidly and without hesitation or overt exposition, which paves the way for plenty of melodrama and family tension. Though he’s come home to heal, there’s no denying that Simon’s problems have followed him to his hometown and still darken his days. This inability to resolve his issues may become wearisome to readers hoping that Simon will find some happiness after so many bleak periods of addiction. Alternately, for readers familiar with the series, Simon’s continual struggle with forgiveness, recovery, intimate relationships, and the momentum of his life is what gives Poe’s books their moxie.

An engrossing saga of a gay man dealing with the sins of a lurid past while moving assuredly into the future.

Pub Date: N/A

ISBN: 978-1-72907-843-3

Page Count: 287

Publisher: Time Tunnel Media

Review Posted Online: Sept. 11, 2019

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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