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DEAD MEN DO TELL TALES

THE STRANGE AND FASCINATING CASES OF A FORENSIC ANTHROPOLOGIST

A lively narrative that illuminates the science of forensic anthropology. Ever wondered what happens to the human body while it's decomposing or to a silicone breast implant during cremation? Maples, bone expert for the Florida Museum of Natural History (affiliated with the Univ. of Florida) and crime solver extraordinaire, with Miami Herald reporter Browning, answers these questions and many more in an exceedingly well-written and accessible volume. He provides insight into his unusual profession, revealing how an experienced forensic anthropologist can glean from a few bone fragments the age, sex, race, and lifestyle of the deceased. Each chapter covers a different episode in Maple's career, from his days as a budding young scientist studying baboons in Kenya to his identification of the type of murder weapon used in the 1990 Gainesville, Fla., serial murders. Maples has trained his expertise on an assortment of murders and suicides. The most interesting chapters discuss some of his more celebrated cases, such as his analyses of the skeletons of the Elephant Man, servicemen who fought in Vietnam, and Francisco Pizarro (conqueror of the Incas); his inquiry to determine whether the 12th president of the US, Zachary Taylor, died of arsenic poisoning or natural causes; and his trip to Ekaterinaburg in 1989 to examine nine skeletons, all that remained of the last Russian czar and his entourage after the Bolsheviks executed them in 1918. Maples avoids euphemisms, describing much of his gruesome work in vivid language that may repulse some squeamish readers, but he tempers the mood with occasional doses of tasteful humor. He expresses profound respect and sympathy for the dead but stresses that he puts his emotions to the side while conducting his investigations. His occasional forays into the merits of capital punishment and the criminal justice system are less interesting, but these are minor flaws in an otherwise superb book. Not just for the morbidly curious.

Pub Date: Nov. 1, 1994

ISBN: 0-385-47490-3

Page Count: 304

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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