Freedom, love, and the complications brought about by conflict between the two are the subjects of earnest soul-searching on a sun-kissed Greek island: a lyrical tale (and first US appearance) by English-born, Italian-resident Riviäre. Mistress of a seaside, olive-groved paradise, the aging widow Laura Rodostamo has invited family and friends to her estate for the usual summer gathering. Laura's beloved goddaughter, Imogen Scottow, as lithe and blithe a spirit as ever floated through life, has arrived with her 15-month-old daughter, whose father Imogen has adamantly refused to identify so as not to sully her own independence. Then into the picture steps another of Laura's guests, eagle-beaked Dario De Corvaroand from the first shocked encounter between him and Imogen, notions that he's the child's father take hold. Laura, her powers of mind failing before the certainty that Death is near, determines to reconcile the two, who admit to her separately that they were once lovers but had a falling out. Knowing Imogen's pride and her own boundless love for her goddaughter, Laura tactfully maneuvers to keep the couple from hastily rejecting each other, only to think her efforts are for nought when Imogen gets defensive after dinner, denying that Dario is the father but declining to say who is. Laura retreats, but as the night's magic of moon and sea gains strength, Dario and Imogen find each other anew at the water's edge. The lovers reach an understanding that allows them to unite as partners in adventure without taking the conventional, seemingly entrapping course of marriage. Land, sea, and sky, shimmeringly evoked with a romantic's eye and a master's brush, give great delight here, while the characters interact less charmingly through a series of inner monologuesa psychologically penetrating technique, to be sure, but demanding and slow-going for the reader.
Pub Date: July 1, 1995
ISBN: 0-340-60967-2
Page Count: 246
Publisher: Hodder & Stoughton/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1995
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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